In the big scheme of things, very few people saw Genesis live in their orginal formation.
Before fans knew it – Peter Gabriel was gone and shortly after, Steve Hackett followed. Fans of the original material who missed out on the theatrics and brilliant musicianship of the original line -up live were out of luck.
Out of luck until the Quebec – formed Musical Boxtook matters into their own hands and recreated the early years with precision. The Musical Box are the only Genesis Tribute band to be supported by the members of Genesis themselves.
They are that good.
Following twenty five years as the top Genesis tribute act – the members have decided to change things up a bit. An extravaganza is on the way …
Please listen below to my chat with the musical director and the ‘Mike Rutherford’ of The Musical Box, Sebastien Lamothe.
Canadian Walk of Fame and Canadian Music Hall of Fame member Andy Kim has many friends in the music business. Many of whom hold Andy in such high esteem – they will follow him anywhere.
Saturday night at The Corona Theater, some of those friends arrived in Montreal to participate in the fifth annual Andy Kim Christmas. A musical event which raises money for The Starlight Children’s Foundation. Broken Social Scene, La Force and Ron Sexsmith made the train trip from Toronto and joined some very talented Quebecers.
Marie – Mai, Coeur de Pirate, Hanorah, Brad Barr and Jake Clemons (the nephew of Clarence Clemons and a current resident of Montreal) welcomed Andy et al with Christmas bells on their toes. The scene was set for a night of giving.
Toronto comic Sean Cullen led the way with brilliant comedy aimed at Montreal from a Torontarian-point-of-view. Cullen, disregarding the MeToo movement (and pretty much all taboo subjects) exchanging barbs and wit with local emcee – CJAD’s Aaron Rand. The pauses between tunes; as unique as the tunes themselves.
In between Andy Kim singing his songs Rainbow Ride, Rock Me Gently and Sugar Sugar – the ‘stars’ of the show donated Folk, Country, Pop, Blues and Rock n Roll. There was something for everyone from the toe-tapping in-your-face Clemons’ Saxophone to La Force’s balladry. From Barr’s profound lyrical social conscience to Marie-Mai’s soulful Blues.
Concerts and music shows usually draw an audience of critics. Scribes ready at the drop of a hat to praise or destroy a performance. The Andy Kim Christmas Show somehow manages to remove all pens and all harshness. The spirit of the season and the generosity of the artists transcend reality. Music is performed and accepted the way it should be.
The Andy Kim Christmas show in Montreal even managed to draw Elvis to the building. The presence of the non-intentional (and vocal) look-a-like in the audience, adding magic to an already magical night. Cullen and Rand – taking the opportunity to include Elvis in their jabs every chance they had.
Canadian music is alive and well. Only a few of them were on a stage Saturday night that in the past has drawn artists such as Pagliaro, Roch Voisine and Sam Roberts. The Andy Kim Christmas Show is growing every year and attracting an array of diverse musical talent.
Who will be here next year? Andy Kim and whoever else decides to join him and pay it forward.
Easy. A blend of Miles Davis, Herbie Hancock, Genesis, Yes, Rush, The Ramones, The Kinks, the Beatles and every artist between 1920 until present day.
Frank Zappa’s brilliance as a writer, producer, arranger, guitar player and every other position within an intellectual realm artistically and socially was put on display via Dweezil Zappa in Laval last night. Epic could be the best way to describe the evening.
The Purple Lagoon, Andy and Don’t You Want a Man Like Me opened things up along with the punter’s minds who were not far behind in realizing music exists beyond corporate radio. The name of this tour is Choice Cuts.An insight into the non commercial world of Frank Zappa. Given Frank’s songs were mostly non radio friendly, choosing ‘choice’ tracks should be easy.
Think again …
Firstly – Dweezil’s Muthas are not your Father’s band. When each player within a band could headline on their own – something special is on the way. Dweezil himself – one of the finest guitar players ‘off the beaten path’ and an astute songwriter to boot. Detach the Zappa moniker and all it’s expectations – Dweezil could very well be in the same breath as Vai, Satriano et al. in the mainstream conscientiousness. Frank probably would want it this way and ensure the Zappa legacy maintains musical integrity.
As the show moved along – perhaps the ladies initially stole the show. Vocalist Cian Coey and multi – instrumentalist Scheila Gonzalez were on fire. Frank Zappa’s tunes contained whimsical female voices along with serious style. Both Scheila and Cian added their parts with conviction. Cian alone – stealing the spotlight throughout the evening with power, finesse and grace. An indication the ‘top forty’ radio female vocalists are nowhere near the best. Scheila no slouch either as her vocals more than impressed and her Sax playing otherworldly. Frank would be proud.
Call Any Vegetable, Tell Me You Love Me and T’Mershi Duween. Three more tunes which only the die hard Frank fans know aside from the band.
Drummer Ryan Brown, bassist Kurt Morgan, Chris Norton on keys and guitarist / vocalist Adam Minkoff were on the same bus. Travelling the Zappa songbook at light-speed. Shining alone when called upon and perfectly in sync with grooves as sweet as the most perfect five hour Funk jam. The completeness allowing Dweezil to do his thang.
Steve Vai was one of Dweezil’s teachers back in the day. Frank Zappa was one of Dweezil’s muses. Dweezil has worked with every guitar player worth their weight in gold. Nothing could go wrong within a solo and Dweezil’s own curiosity to grow as an artist – adds to the special moments when Dweezil takes the spotlight.
Suzy Creamcheese, Valley Girl, Zoot Allures, Don’t Eat the Yellow Snow and Joe’s Garage – the show and the intensity continued.
Serious musicians playing serious licks. Only the students of music can understand and appreciate Dweezil’s (The Muthas) take on his Father’s songs. Only serious students of music can appreciate Frank Zappa and his genius.
Some bands fall through the cracks as far as recognition goes. Stiff Little Fingers are one of those bands.
Born at the height of Punk music’s global popularity, the band emerged from a Country that was not known for Rock music.
‘I have no doubt there were many talented musicians and songwriters in Ireland …” Says original and current member and songwriter Jake Burns. ” Due to the fear factor of losing jobs (that were few and far between) and the non acceptance of Northern Ireland musicians due to the political unrest in Ireland, sadly many chose or were forced to stay put.”
Stiff Little Fingers, a group of schoolboy friends formed in 1977. A time when groups such as The Ramones and The Sex Pistols were gaining momentum. It was another band however which many comparisons were made.
“Everyone kept telling us we sounded like The Clash and we were asked if they were a huge influence.” Says Burns on the eve of their November 10th show in Montreal. “We never really spoke with the guys from The Clash and wondered if they took us as a threat or admired us.”
Four albums in three years starting in 1979 saw the band emerge as a voice of unrest for not only the people of Ireland – the entire world. Punk music and Stiff Little Fingers were affecting fans and non fans alike.
“When I started writing songs, I had a little difficulty coming up with ideas and they were forced’ Says Burns. ” I spoke with someone and once I realized it is important to write what you know – that is when things changed for me as a songwriter and the band.
Stiff Little Fingers then suffered the same fate as many bands. Knowing each other for so long and being on the road and always together, the fighting started.
” All these years later, in hindsight – all we needed to do was to take a step back and we would have been fine …” Admits Jake. ” It was not about dislike, it was about the stress of the business and a lot of pressure to maintain a band.”
In 1987, following a hiatus and Jake partaking in a solo effort and collaborations, Stiff Little Fingers reunited and despite the words of the music business; The Fingers embarked on what would become a very successful tour in Germany to sold out crowds. Burns and the band have never looked back.
Since their reformation, Stiff Little Fingers have released six albums with the last being the critically acclaimed 2014’s ‘No Going Back’.
Jake Burns still follows the recipe of writing what he knows for success.
” I went through some major life changes such as a divorce and relocation to a different continent and I did not think anyone would want to listen to a middle age guy sing about a mid-life crisis and divorce. Luckily I was wrong …”
Stiff Little Fingers are in Montreal Saturday night November 10th at Foufounes Electriques.