If you are a music fan and you have not heard The Kings’ ‘This Beat Goes On / Switchin’ To Glide‘, shame on you.
It has been forty years this month since that song hit the Billboard Top 100. The Kings were ( for all intensive purposes) a one hit wonder. August 23rd, 1980, The Kings also marked history by closing the now-legendary Heatwave Festival in Toronoto. The Talking Heads, Elvis Costello, The Pretenders, Nick Lowe and Rockpile, Teenage Head, the B-52’s, and The Kings.
That story is of a hard-working band hailing from Vancouver, BC and Oakville, ON that appeared on Dick Clark’s American Bandstand, was nominated for a JUNO Award, named ‘Most Promising Group’ by Cashbox Magazine, hit Platinum-selling status, and has released five studio albums, two live albums, a live DVD, an anthology, a documentary, and numerous hit singles — including “another rocking two-fer,” “Circle of Friends / Man That I Am.” The 2018 single was somewhat like arriving full circle; it was mixed in Nashville by industry legend Bob Ezrin (Pink Floyd, Alice Cooper, KISS), who also helmed the same role on their 1980’s debut, The Kings Are Here, and sophomore follow-up, Amazon Beach.
Their midnight appearance at the now-storied Toronto-area festival — produced by John Brower–that’s inspired the exclusive release of The Kings: Live at Heatwave, a 30-minute concert movie
“The Kings and Teenage Head were the only bands that gave permission to be filmed,” recalls founding member Dave Diamond. “As Teenage Head’s audio has disappeared, this is the only surviving, authentic, and original sync footage from that day.”
“It was digitally restored frame by frame from its 16mm colour negative, and combined with authentic, remastered sound,” adds fellow founder Mister Zero. Sonny Keyes also chimes in: “The sound was recorded onsite by Comfort Sound’s Doug McClement on 8 track half inch analog tape and sounds amazing!”
“We’d worked hard and were ready for a gig like this,” says drummer Max Styles.
The Heatwave Festival at Mosport Park turned heads from the onset between its high profile roster, ultimate crowd size, and that it sat at a cultural turning point in the evolution of new wave music. (It was also marred with some scandal, but… Aren’t they all?)
“For some reason, they didn’t film our whole 55 minute set,” Diamond muses. “But there’s almost half an hour here, and we’re very proud of it.”
Forty -five countries tuned in to stream the live music and archived concerts broadcast on the Festival website and social media platforms
The Festival team worked tirelessly to mount the most exciting event possible, given the exceptional Covid circumstances , and it required some ingenuity, some gumption, a forward-thinking perspective, and a whole lot of creativity, but the results speak for themselves and the numbers tell an amazing story:
*Over 50,000 hours watched *60,000+ engagements during the live streams *25 million+ digital impressions on our social media platforms
The 25 performances included live sets from some of the most celebrated musicians in the world, all of whom chose to make Montreal their home (like Bïa, Dominique Fils-Aimé, the Barr Brothers, and Charlotte Cardin and many more), while archived concerts from past Festivals including Miles Davis and Sarah Vaughan were a huge draw as well.
Jazz in the street – a special project presented by Rio TintoThere’s more to come, too! Soon! Fans in Montreal who have been missing out on seeing live music right before their eyes will be given the chance to live it all anew when a series of popup events and performances will take to the streets in the coming days. Music lovers should definitely keep their eyes open and follow their ears as different neighbourhoods will be ringing out with the sounds of jazz and hip hop between August 27th and 30th… but for now, details are forthcoming. Stay Tuned.
The brand partnership, ‘SCENE Music’ will deliver exclusive music content to Canadians commencing with a live-streamed event in Toronto this summer
Today, SCENE, Canada’s #1 Entertainment Loyalty Program, announced its new partnership with music label, Universal Music Canada, to showcase top artists and emerging performers through interactive programming. Starting with a livestream music event on August 26, the new initiative will introduce and feature a variety of artists and offer SCENE members exclusive content, socially distanced fan experiences and live events.
The inaugural SCENE Music event will be live-streamed from The Rec Room Toronto on August 26, 8:00 PM ET for SCENE members across the country to join in. This will be The Rec Room Toronto’s first live event since closing its doors due to COVID-19 earlier this year, and marks the venue opening for safe music experiences in the coming months.
Headlining the event is JUNO Award-winning, Toronto-based rock band The Beaches, who have been making waves since their 2018 JUNO award win for Breakthrough Group of the Year. Along with performing at a number of North America’s biggest music festivals, including Osheaga, Festival d’été de Québec and Austin City Limits, and opening for the likes of The Rolling Stones, Foo Fighters and Alanis Morrissette, The Beaches headlined their own highly successful The Professional Tour earlier this year, which culminated in three sold-out shows at The Danforth Music Hall in Toronto.
The Beaches will perform live at The Rec Room Toronto along with JUNO-nominated alternative pop group and Universal Music Canada band Valley, who have garnered over 60 million global streams and spent 2019 touring North America as support for Lennon Stella and The Band Camino on sold out tours. Additionally, singer-songwriterSoran from Montréal will grace the stage virtually with his blend of dance music, reggae, funk and soul.
The event will be in support of Boys and Girls Clubs of Canada, where over the last month nearly $210,000 in donations from SCENE provided kids across the country with unforgettable experiences to enjoy with their friends and families. The impact of these donations will be celebrated in a live-streamed segment during the SCENE Music event. Fans can tune into the music event through SCENE.ca/music and get close to the action by participating in digital games and polls.
“We’re looking forward to this partnership with SCENE to bring some of our exciting Universal Music Canada artists into the homes of music lovers across Canada,” added Kristen Burke, EVP and General Manager of Universal Music Canada. “The Beaches, Valley and Soran all know how to put on a show and are the perfect artists to kick-off this new music program.”
Tune in on Wednesday, August 26 at 8:00 PM ET on SCENE.ca/music and dance along to hit songs and new singles, right from home! It is time to show that we’re better together, even if we’re apart. Members can use the hashtag #BetterTogether or visit SCENE’s social channels on Facebook (Facebook.com/SCENE), Twitter (@SCENECard) and Instagram (@SCENECard) to show how they are reconnecting with the people who matter most.
In 1919 – The Spanish Flu cancelled The Stanley Cup finals.
The only hockey player who died from The Spanish Flu was the Montreal Canadiens’ Joe Hall.
The Stanley Cup finals in 1919 took place in Seattle. Covid -19’s first outbreak in North America was at an old folk’s home in Seattle. Just one twist of fate for The Canadiens’ 2019 -20 run for The Stanley Cup.
Please listen below to more oddities that point in favor of The Montreal Canadiens winning a championship and listen to some great motivating tunes.
Creativity within the Blues structure. Essential to creating great music.
Canada’s poet laureate of The Blues Paul Reddick applies creativity into his brand of music. It ain’t pure Blues, it ain’t pure Rock n Roll. It is a blend of all genres which makes up great Rock with a lot of Roll and a little bit Country.
Alive in Italia is the new Paul Reddick album. The Gamblers join him live on stage along with two very special Canadians.
Please listen below to some great tunes and a great chat with Paul.
Music is meant to be heard. Video killed the radio star after all.
Visually – concerts and music ‘mini films’ can be stunning. Messages from artists and directors alike can be solidified inside your psyche. Subliminally or conscientiously.
The appearance of musicians can form the sincerest form of flattery through imitation. A young child may evolve into the next Pavarotti or McCartney witnessing a magical video backed by sublime sounds.
Please watch and listen below to some great visuals and hear great new and old tunes. Should we call you an agent?
The correct lyric from Jimi Hendrix’s Purple Haze is ‘scuse me while I kiss the sky’.
Actually, even after knowing the authorized version of the lyric, it still sounds that Hendrix is singing ‘kiss this guy’. It is possible that he phrased it ambiguously. He certainly played around with the lyric in later live performances.
Mick Jaggerplays with lyrics. Often mispronouncing sounds both in the studio and live. James Brown told Jagger; “This way – if you forget the words, nobody will know …’
Please listen below to some new tunes and see if you can understand all the words?
John Oates is one half of the best selling songwriting duo in Pop / Rock history.
Hall and Oates not only conquered the seventies – they destroyed the eighties as well. Six number one hits are not part of very many songwriter’s vocabulary.
Like many musicians, Oates is layered. What you have heard within Hall and Oates is the tip of the iceberg. Sometimes – songwriters and musicians work in a genre that derives success. Why bite the guitar pick that feeds you?
Please listen below to my conversation with John Oates about Hall and Oates and his most recent project with The Good Road Band; Live in Nashville
In the words of comedian Emo Philips; ‘It’s New To Me’
Just because things have never been heard before, it doesn’t mean they were not done before. The ‘tree falls in the forest’ scenario. In music – many artists come from one place and wind up in another. Travelling the globe physically and spiritually. Antennas up, hands on chords.
Please listen below to some new tunes from Paul Reddick and John Oates among others.
The saxophone used to be an integral part of Rock n Roll music.
Fast forward to 2020 and – not so much. Along with Jazz – inspired drumming, the saxophoneadded energy and emotion to Rock n Roll. Not only did the Sax add layers – it also grounded the musician’s and listener’s souls.
Please listen below to some of the best Sax solos in Rock n Roll history.
Like Covid itself, Drive -In concerts are polarizing.
Some artists such as Kim Mitchell do not like the idea. First – a live show increases the performance of the artist. The energy between the audience and the stage is like a shot of heroin. Creativity and comfort- ability replaces the trepidation of catalogs new and old in artists new or old. People sitting in their cars and honking after a song? A definitive no -no for artists such as Mitchell. Energy cannot pass through glass after all?
Another reason artists do not like the idea in the time of a pandemic is safety.Lives before money. Health before happiness. In Kim Mitchell’s case, he is also part of the high risk category health -wise since his heart attack a few years ago. Covid’s (the government’s) effects paint many canvasses in vastly different colors. Mitchell not wanting to place himself or his audience in danger.
Therefore it is a slippery slope that folks like The Damn Truth and Evenko maneuvered. They were damned if they did – damned if they did not.
Saturday evening at The Royalmount Drive – In Theater, Montreal’s premiere Rock n Roll band The Damn Truth (along with Osheaga and Evenko), did something that Montreal has never seen or heard before. A Rock n Roll Drive – In concert.
The excitement in a punter as they approached the entrance (with the stage looming in the background) momentarily erased everything Covid. Suddenly you were fifteen again and visions of Elton John at Jarry Park danced through your head quicker than an Elton John hissy fit. Suddenly you were transported to the days in front of The Montreal Forum at Atwater Park. Part of the fun of live music is the anticipation. The people you encounter along the way to the opening chords, all with the same goal in mind, is a profound variable that sets live music apart from a turntable in a basement. The buzz in the air, the smoke in the air.The music from the ‘flavors of the day’ creating magic in the air through surrounding mega – watt speakers. Ambience 101.
Live music has no competition to fill the soul.
The staff at Roylamount Drive – In are Grade A. They politely guide you to a parking space which has been delegated two meters apart from your neighbor. Instructions to wear a mask in washrooms and any indoor space are transmitted and received. Food comes to you through mask wearing vendors while roller-blading masked females attempt to sell band merchandise. Zeppelin, The Stones and The Beatles are the violins to this initial voyage for all passengers.
‘The stage is set, the band will start playing and suddenly your heart is pounding.Wishing secretly you were a star.’
If you are going to a pandemic drive – in concert to pick up chicks or Ken lookalikes; fudge about it.
Social distancing police (aka security) have eyes on you. Step away from the front of you car into the aisles to dance or talk to a neighbor two meters away? Frowned upon. Mask or no mask – your parking spot is your home for social distancing. You better really like the person you came with or start calling a lawyer who specializes in homicide.
Life itself, day-to-day operations have many conflicting rules with Covid and a Drive In Rock n Roll concert imitates life. A non masked walk to the merchandise table or to the food vendors or to anywhere except in the aisles is allowed. You can speak to anyone along the way respecting social distancing rules with mask on face or mask (brass) in pocket. That feeling of ‘Yes sir – No sir’ sung by The Kinks many moons ago is non Rock n Roll. Rebellion and teenage (adult) angst is the prime motivator behind Rock music. A drive in concert does not allow the finger in the face of authority. For that reason – the energy from the crowd, the gas to the artist is absent. No dancing in front of cars, no screaming in front of cars and polite applause following a song is not a Mick Jagger’s grand-kids’ concert.
The Damn Truth put on a top notch show musically and performance -wise. Lee -La Baum, the lead vocalist, enthusiastic thanking everyone for coming and how much live music is missed by the band. Baum’s vocals as crisp or soft as the stages of life itself. New songs were preformed by The Damn Truth for the first time as isolation paused the band’s new record recording sessions. Isolation paused the fan’s hunger. Guitarist Tom Shemer, bassist PY Letellier and drummer Dave Traina did not display rust. A sign of a professional band is the ability to drive fast and safe – blindfolded or not.
My revolution is in disconclusion
Allegations of hope
There’s no room for people like you and me here
We’re devilish folk
The audience had great intentions as well. Pressure seemed deflated in their faces as they viewed the stage,the screen and the ambiance. A relief to be out. A relief to be doing something ‘normal’ once again.
Country music, like most of society, has lost it’s soul. You cannot sing about a love relationship complete with heartbreak if you declared a life of celibacy and live in a monastery.
That said – the new generation of Country artists do their best to add the legacy of Country music to their new songs within a modern day commercial world. You cannot blame the butcher if a cow is not well fed.
Please listen below to some of The Best New Country Songs Released in 2020
Marie may have been a little bit Country and Donny may have been a little bit Rock n Roll but they have nothing on The Rolling Stones.
From the beginning – The Rolling Stones’ sound has been entrenched in Country music. Is it their Blues’ influence which is also embedded in Country / Folk or was it Keith Richards’ fascination with Roy Rogers? Whatever the case – The Rolling Stones can lay claim to being one of the best Country bands of all time.
Gram Parsons was a huge influence on Richards and The Stones and added many an idea and education to The Greatest Rock n Roll Band of all time.
Don’t believe me? Listen below to The Rolling Stones doing what most Country bands wish they could do.
If the saying ‘ put two things together that have never been together before and you can sell them’ is true, then Tetrix will soon become very wealthy.
Tetrix contains two fellas who have been very busy musically. Every House Has a Light On is Connor Gottfried and Neil Pockett’s 17th release. Considering the duo have been making music since 2000 – that is a substantial amount of creativity for two Western Boys.
Growing up in Western Canada, like most people from there, Country music was and continues to be – part of the landscape. Given the fact the two components of Tetrix grew up in the Grunge era, something magical was only a matter of time.
Please listen below to my chat with Connor about an interesting concept which may start a new trend?
To say that Glen Campbell is an American institution is a vast understatement. So vast, most people would not realize the pit for the forest.
It is easy to ‘clump’ musicians into a generic concert.
Rock ‘n Roll fans would pick out Waylon Jennings from a police line-up when asked to choose Kris Kristofferson. Country music fans can easily mistake Steven Tyler for Michael Phillip Jagger. Among thousands of singers, guitarists and songwriters spanning one hundred years in genres as diverse as the globe itself, forgiveness is given for the uneducated music fan.
Glen Campbell, in a nutshell, was the man who brought Country music to the mainstream.
While Johnny Cash made Johnny Cash – watching fashionable, there was always a ‘taboo’ attached to the man in black. He was dangerous. A pre-cursor to the Rolling Stones in Rock music as ‘the bad boy’ of Country music. The ‘bad boy’ of music.
Then – along came Glen Campbell.
The Arkansa born singer / musician / songwriter was clean, crisp and good looking. Everyone has their demons ( which surfaced in later years with Campbell via drug and alcohol abuse) yet Campbell appeared pure and not prone to paparazzi – driven investigations. Glen Campbell ( along with The Beach Boys) was music’s American Pie. If John Kennedy was the first television President – Campbell was the first television Country music star.
Glen Campbell released more than 70 albums. He has sold 45 million records and accumulated 12 Gold albums, 4 Platinum albums and 1 Double-Platinum album.
He has placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, and/or the Adult Contemporary Chart, of which 29 made the Top 10 and of which nine reached number one on at least one of those charts.
Campbell made history in 1967 by winning four Grammys total, in the country and pop categories and in 2012 Campbell won the Grammy Lifetime Achievement Award . In 1969 actor John Wayne picked Campbell to play alongside him in the film True Grit, which gave Campbell a Golden Globe nomination for Most Promising Newcomer. Campbell sang the title song which was nominated for an Academy Award.
In 2015, Glen Campbell does not remember any of these accomplishments. Glen Campbell is suffering from Alzheimer’s disease.
This is where the 2014 documentary ‘ I’ll Be Me’ comes into play. It chronicles Glen Campbell’s final recording ( I’m Not Gonna Miss You) and subsequent final tour. An opportunity for his family, friends and fans to say goodbye to a man who is sadly, half the man he once was.
Director James Keach and his crew follow Glen, his wife Kim and his three kids Ashley, Shannon and Cal ( part of Campbell’s touring band ) through the trials and tribulations of dealing with Alzheimer’s. A rare glimpse into the disease along with a rare glimpse into a man, a musician and a family dynamic. Director Keach supplies the cameras, Kim Campbell supplies the memories and Glen delivers the music. The one element of Campbell’s psyche which refuses to be locked away in a dwindling section of his brain.
This absorbing and fascinating film is akin to driving by a car wreck on the side of the highway. In fact, tour manager Bill Maclay informs the viewer of that element being a huge concern as the family and band planned the farewell tour. The film may be a curiosity yet the concerts (151) which take place within the documentary; a pure love – in between artist, fan and family.
As the film spins it’s tales of reality, images of doctor’s visits, home life, bus life and stage life, it takes the viewer on an interesting journey. Amid Campbell’s vacant memories of recent and past events, lies a loving and supporting family and great songs. Campbell may not remember yesterday’s date yet he belts out thirty-year old tunes just as fresh as daisies in Spring. Just like those flowers, mistakes are made and the petals fall. Just like those flowers – the songs are a gift given to us by way of an unseen force.
Aside from a devout ‘who-is-who’ parade of performers praising Campbell’s influence (Keith Urban, Vince Gill, Brad Paisley, John Carter Cash, Sheryl Crow, Blake Shelton, Taylor Swift, Bruce Springsteen, Paul McCartney and U2 guitarist The Edge), it is Campbell’s guitar playing and singing which are most astonishing. The man is sick yet aside from sometimes talking too much during a performance, playing songs twice and once or twice forgetting words, Glen Campbell delivered the goods night after night. With a smile on his face.
Campbell’s guitar playing alone – wrought with conviction, facility and ease. Men or woman in full health would be hard up to compete with Campbell on the Alzheimer twelve string.
Other poignant moments within the film is what Campbell’s disease may do to help people in the future. Campbell and entourage stop in Washington, D.C. They testify before Congress, lobbying for more research funding for a cure and meeting with House Speaker John Boehner, Minority Leader Nancy Pelosi and Dr. Francis Collins, director of the National Institutes of Health. Campbell’s daughter explaining the pain as her Father cannot remember her name, a particularly heart-wrenching moment.
Thankfully, despite the upbeat messages of Campbell’s personality and musical abilities within the film, the reality of the disease remains a focal point throughout. The harsh reality of the disease becomes front and center near the end of the tour as everyone becomes aware;
‘Glen can no longer perform .
Campbell’s final recording, “I’m Not Gonna Miss You,” won a Grammy for Best Country Song earlier this year. Campbell and the song’s co-writer, Julian Raymond, were also nominated for an Oscar.
Mr. Campbell currently is in a memory care facility in Nashville. He is in the late stages of Alzheimer’s and is suffering from aphasia. He can no longer communicate and can only comprehend hugs and certain movements.
The film; ‘I’ll Be Me ‘ – is a must watch experience to reintroduce or discover Glen Campbell’s music, his legacy and his story of hope within despair.
Glen Campbell is an American Institution after all.