‘East is east and west is west – and an elephant never forgets. Boulder’s rules …’
Dr. Jarrett Lobley didn’t forget what he saw as he travelled the world. The things we in Canada take for granted were not part of the equation yet people were happier in places.
Returning years later to the same locals and villages , Lobley noticed a difference in people’s behavior. Happiness was replaced with want and need.
What caused it ? What made people turn to drugs and alcohol to mark their pain? Their malcontent ?
Please listen below to part three of my chat with the good doctor to find out !
On paper – Joss Stone and Melissa Etheridge look great as a double bill. In reality – they are greater than the sum of two parts …
When Joss Stone was in her Mother’s tummy, she attended one of her Mom’s favorite artists in concert. When Joss was seventeen – she sang as part of a duet with one of her Mom’s favorite artists. Last night at Places des Arts – Joss , once again, performed with one of her Mom’s favorite artists.
Melissa Etheridge remains constant in Joss Stone’s life.
Stone arrived on stage softly and that was about right for what was to transpire throughout most of the evening.
‘The Look of Love’, ‘Landlord’, ‘Stuck on You’ and ‘Victim of A Foolish Heart’ allowed Stone’s voice to shine through. In past performances at the Jazz festival – too much ‘screaming’ took place which took away from the sheer talent of Joss’ vocals. There is a time and place for everything and sometimes at a Joss Stone show – the lines are blurred.
Not last night at Salle Wilfred Pelletier.
The band maybe were caught by surprise as well.
Joss swerving from set-list and improvising like a bird on a wire. Reading the crowd and judging reactions, just one part of Joss’ seemingly arrival at professionalism.
Comfortable in her skin and comfortable with charming banter. Her British humor and accent disarming critics, the audience and her band. The latter injected life into what can be ( at times) a monotonous trip while the former – a very good idea.
‘Put A Spell on You’ and ‘Son of A Preacher Man’ ended things on a high note. Joss and her mates raising the energy and injecting history into the night. Passing the baton to …
If Melissa Etheridge was loved before last night’s show in Montreal, this morning – the city must be erecting a statue of her atop Mont Royal.
What’s with all these artists pre – dating 1995? Was water different in the old days or has political correctness taken all the creativity and passion out of life ?
Etheridge arrived in town on the heels of her new album; Memphis Rock and Soul. Its an album paying homage to Stax Records and all the great tunes which inspired generations of musicians and fans. Horn heavy with R&B and Country music as the ground wiring. In short – the elements which were the beginnings of Rock n Roll.
Etheridge is one of ‘those’ artists. A woman who has climbed, conquered, descended and now sits revered at the music clubhouse. Take away the battle with breast cancer and the same adulation and love is thrown her way for her music and activism on behalf of the ‘small folks’ in this world.
She doesn’t have to give a damn on stage yet she does – more than ever.
Melissa’s new (old) songs from the new disc were solid. ‘Memphis Train’, ‘Respect Yourself’ and ‘Rock You Baby’. Three tunes which enveloped the show in a torn up stained envelope. Countless cigarette burns, whiskey stains and sweat were duplicated admirably by Etheridge and her posse. After all – growing up listening to Soul, Country and Rock n Roll in Kansas will leave a definitive impression.
Melissa’s energy was alarming. Anyone under the age of fifty who huffs and puffs while eating Mae Wests at their desk should be ashamed.
Non – stop talking between songs, non – stop guitar playing, non-stop walking from side to side. Toss in some impressive harmonica work and a mini drum solo near show’s end – everyone in attendance needed a nap from watching . Just the power vocally in classics such as ‘Somebody Bring Me Some Water’, ‘I’m the Only One’, ‘Like the Way I Do’ and ‘Come to my Window’ enough to light up the Jacques Cartier Bridge’s pretty blue lights.
In 2005 – Joss Stone and Melissa Ethgeridge paid tribute to Janis Joplin at the Grammy Awards. Fast forward to Place des Arts last evening and the pair did it once again. The first time the talented duo have performed together since that emotional evening twelve years ago.
“Cry Baby’ and ‘ Piece of my Heart’ were meant for these two ladies of song. Stone’s range picking up the tenderness and the toughness while Etheridge’s emotion and vocals as raw as the spirit behind Joplin’s original impact. Rarely does a moment take place at The Festival these days that leave people talking for a few weeks or months. Ella Fitzgerald did it near the end of her life as she battled diabetes and last night, the combination of Etheridge’s survival status and Stone’s tutelage to one day be the grand lady of Soul – a perfect marriage on the alter of The Montreal International Jazz Festival’s legacy.
A piece of everyone’s heart was left at Place des Arts.
Royal Wood has one of the coolest names in music. He also has one of the coolest back catalogues.
The ‘real’ Royal is emerging. You ain’t heard nothin’ yet !
Ghost Like is the name of the new album. It is a return to basics. A ‘ for the love of music ‘ CD which evolved ‘by accident’. A superb blend of catchy Pop, nurturing ballads and folk-ish lore. A CD which should be included in every Canadian’s collection.
Please listen below to my chat with Royal and hear some great tracks off the new disc. Royal Wood will be at Savoy Metropolis on June 29th and 30th as part of The Montreal International Jazz Festival.
Royal? What’s Up?