Edwin Brownell – ‘Classical’ Rock; Part Two

Edwin Brownell was schooled in Classical music. He is no Mozart, Chopin or Bach slouch …

That said; the pianist loves to play another style for a reason. What style and why? Have a listen below. An interesting discovery will be made.

Edwin …?

 

 

Visit Edwin Right here!

 

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A Conversation with Chloe Charles …

Ontario – born singer, song-writer and poet Chloe Charles is related to Julian Lennon.

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Her Father, John Charles, married Cynthia Lennon ( Julian’s Mom) when Chloe was fifteen years of age. Julian – who was good friends with Chloe’s Dad, introduced his Mom to the elder Charles. Chloe was pleasantly surprised when the couple announced their marriage plans. A ceremony which took place in Toronto.

Chloe Charles, because of the Lennon connection, is asked all the time about being the stepsister to Julian – son of ex-Beatle John.

“It really doesn’t bother me.” says Chloe from a restaurant on Queen street in downtown Toronto. ” I don’t tell people myself because I do not want people to feel I am not my own person. I am doing what I do on my own and my way.”

In Chloe’s case, her own way is very similar to her Mother. Chloe’s Mom is also a poet and a guitar player. Chloe grew up listening to her Mom and her Aunt singing and playing great tunes in the family living room.

chloe4” I was very shy as a child.” Admits Chloe. ” But you think I was shy? My Mom was ten times worse!” She laughs. ” My Mother is a fantastic singer  and poet. She has never been able to get over her shyness to be able to stand and play in front of people except family and close friends. She has written a few books also that – one day,  I will make sure are published.”

Chloe herself always knew what she wanted to do.  Music was in her mind from an early age. Before any ties were joined with the Lennon legacy.

“I always have written poetry and playing guitar was my sanctuary. It was kind of like Yoga …” She laughs. ” It was always a place to go mentally and spiritually to get away from things. It’s something I have always loved doing.”

Chloe’s parents divorced when she was just over a year old. Chloe and her Mom at one point lived with Chloe’s maternal Grandfather. A man by the name of John Richmond. Through this man ( who sadly passed away recently),  it is obvious from what side of the family Chloe’s artistic genes are strongest. Richmond, among other things, is the man responsible for the huge murals on both Maple Leaf Gardens and The Air Canada Center in Toronto.

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” My Grandfather was such an independent spirit. He published books and magazines and traveled all over the world following his intuition. He (previous to his death) was in Mexico learning and practicing the art of that country. He was a huge inspiration and I miss him dearly. Life is short. We must appreciate every moment …”

Following a short stint in school studying Psychology, Chloe returned to music and realized it is what she’s supposed to be doing. Chloe’s Father was very supportive and gave her the opportunity to reflect on things following her exodus from school.

” I was introduced to and pushed ( in a  nice way) into the black genre of music. I was singing R and B, Soul – that type of thing. It bothered me to sing other people’s music so I decided while in Germany to set a goal for myself. I was not returning to Canada without twelve songs written!”

That was in 2005-06. Chloe did write those twelve songs yet none  are on her debut album. A disc which will be released on the 13th of February in North America. An album titled; Break the Balance.

“It has been released in Europe and I am returning to Germany to continue touring shortly after the CD launch party in Toronto.” Says Chloe. ” Right now, there are no dates set in Canada yet I believe I will be playing in Quebec and Ontario somewhere around June.”

‘Break the Balance’ is an album which carries the messages of Chloe’s psyche. Songs on the album  which deal with things that – according to Chloe; most people cannot deal with …

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” People are afraid to deal with certain truths. They cannot handle looking inside for fear of what they may find. This album deals with things from the past few years of my life. There are very dark and depressing songs on this album and a year from now – I will understand them better. I will be able to look back and see clearly what was going on in my conscience at the time …”

‘Break the Balance’ was put together in under a year although the whole process of producing and the business end – put the launch date further back. It has been released in Europe and Chloe is so happy with her ‘guys’ overseas.

chloe71-450x278” I have toured Germany for almost two years non – stop. I love it there and it shows the difference between North American and European mindsets. Over there, if the crowd likes a song or an artist – they just like it! Here, people will listen and turn to their friends and ask ” Do you like it? I like it – do you like?” Society here is so much about acceptance. In Europe they are more free.”

Chloe loves Canada and North America. She also loves all her friends – most of whom either play on the album or contributed with arrangements. Chloe’s favorite song on the disc is ‘My Child’. It is a song written with her Mother in mind. The type of song which instills the feeling of her Mom singing a Lullaby to a young Chloe.

” I was touring in Milan, Italy …” Explains Charles. ” I was having a rough time and called my Mom. I spoke to her for what was probably way too long yet she comforted me. “My Child’ came from that conversation.”

Another tune which ( if she had to choose another favorite song from the cd) is fond to her is ‘ Refrain from Fire’. A song about ‘wanting something you should not’. A lyrical and musical odyssey of ‘trying to keep away from dangerous places’.

Julian and Cynthia Lennon
Julian and Cynthia Lennon

“If I had to say what message I am sending out with this album through my words and music – it is simple. To be different …! Not try to be someone who you are not! ”

Even if your Step-mom is Cynthia Lennon. A very kind, wise and loving big sister …

Even if every once in a while you get together with Julian Lennon and NOT talk about anything to do with music

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Gilberto Gil; A Brazilian Mick Jagger?

When a seventy year old man is able to lift people from their seats – over and over and over again …

A flip of the fedora in his direction is not just necessary – it is required.

Photo courtesy of Anne Achan

Gilberto Passos Gil Moreira, born in 1942, is the man responsible for a love – in at Theatre Maisonneuve at Place des Arts last night. Who knew that a man from  Salvador, Bahia, Brazil, could one day be king of Montreal – if only for a couple of days.

Dressed entirely in a white suit and a blue guitar as an accessory, Gil was a presence the moment he took center stage. John Bon Jovi and Stephen Tyler take note. Before the status of Mick Jagger is obtained – an obstacle by the name of Gilberto stands in the way.

Gil is an icon. Gil is a performer and a groundbreaking songwriter. Gil is special.

With his trademark dance moves a la James Brown / Jagger, his falsetto notes arriving on cue and an ability to raise the level of the musicians around him – Gil possesses that ‘something’ which all superstars possess. Elvis Presley had it, Micheal Jackson had it and the man who was at one time his country’s Minister of Culture – is one of the few living who not only ‘have it’, know precisely how to use ‘it’.

Photo courtesy of Anne Achan

That’s exactly what Gil did, utilizing every tool in his white suit jacket to get the audience so involved – the rain outside, a footnote in the long history of Montreal Jazz shows.

Gil utilized his song;  ‘Fe Na Festa’, as an instrument of warmth. A beach – the only thing missing in a theater suddenly alive with rays of musical sunshine. People perked up, they took notice and from that point forward – a sold out theater  were drinking from the palm of the ‘once upon a time’ jailbird’s palm.

‘Vamos Fugir’, ‘Expresso 2222’ and ‘Andar com Fe’ – three songs ripe with a vocal following from the crowd mixed in age, continued a stand-up, sit-down, stand-up roller coaster of a set. The crowd danced, the ushers danced, the band danced and the man himself –  appearing ghostly under a white spotlight, summoned  the only man who may have been able to upstage Gil himself.

Bob Marley appeared. Through song. Particularly – ‘Three Little Birds‘ and ‘No Woman No Cry’. A pair of tunes which rode along within Gil’s four decade repertoire. A duo which delivered smiles to people’s faces and warmth to the coldest of souls.

People were lifted out of their seats over and over again.

Even seventy year old men …

Susie Arioli; Concert Review

Sometimes, poems are written in the dark …

Thoughts and feelings piercing the blackness like a knife profound with emotion. Last night at Place Des Arts – Susie Arioli and her excellent group of musicians delivered lines on a platter spun with golden oldies.

The patrons or as the English say; the punters – recipients of a catalog smitten by the Great America Songbook. Who says Valentine’s day must be celebrated on the 14th of February …?

The songs chosen by Miss Arioli, tunes which placed feminine heads upon manly shoulders – sheer diamonds in a jewelry jukebox. Arioli’s voice, a female version of Mel Torme. Smoother than a velvety fog hovering above a city begging for raindrops of nostalgia.

The first half of the show complimented by My Funny Valentine. A song written by Richard Rodgers and Lorenz Hart. Following a half dozen ‘warm-ups’, Arioli and her backing musicians – appeared to hit stride with the tune which was originally penned for Babes In Arms on April 14, 1937. Arioli’s voice almost mesmerizing in it’s roller coaster indentations.

As he has done for seven discs – guitarist Jordan Officer complimenting the original classic with his clever arrangements and Charlie Christianlike riffs. It is obvious how Arioli and Officer hooked up once upon a time at a Stephen Barry Blues Band jam. A mutual understanding of  songs like ‘Husbands and Wives’, ‘Pennies from Heaven’ and ‘Here’s to the Losers’.

It is difficult to mess up a dinner table set by musicians such as Bill  Gossage (Bass), Cameron Wallace ( Tenor Sax) and Tony Albino on drums. A trio not just primed to fill in empty spaces of a musical scale, primed to headline on their very own if needed. Wallace providing sounds following a childhood education of Clarence (The Big Man ) Clemons. Sultry? Soothing?Ambitious ? All the above.

The song of the evening – “Mother Earth’, originally penned by Memphis Slim. In a show which emphasized Jazz, Officer’s guitar rock – like and menacing while Gossage ( on the stand-up bass), a rock in a weighted down rhythm section complete with Albino’s metronome motions. That is when Miss Arioli was not keeping time with a snare of her own. A pleasant addition to an act void of over – the – top antics …

Miss Susie did not appear in a giant egg a la Gaga. Arioli does not require the bells and whistles. Her vocal chords sounding the charge in a warning of standards to come.

What did come to the surprise of many, were a pair of  Christmas songs. A back-to-back duo fastened to the back end of a two hour show like sleighbells on the Grinch’s back. ‘Winter Wonderland’ and ‘Blue Christmas” – adding a splash of warmth to the most cynical, watered – down enemy of the holiday season. Scrooge was chased out quickly by Arioli’s renditions of the wintery classics …

Another surprise to a non-fan, the presence of trilingual chatter. French, English and Fr – anglais; shattering any preconceived notions that Arioli’s songbook would be under scrutiny from any race or group of people. Add that to the song; ‘Un Jour de Difference’, a musical score penned by Maria Greve and made famous by Lys Gauty – a flicker of Paris candlelight embracing a Montreal crowd huddled together on a cool November evening.

Sometimes, poems are read in the dark …

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