If everyone took steps for change – change would come.
Westmount native Annabel Gutherzhopes that people will follow her lead in making changes to the way people think. Inspired by the senseless school shootings in the States, Annabel wrote a song to make a difference.
All proceeds of the sales of the song will go to an organization called WE.
Please listen below to my chat with Annabel and find out all you need to know. Hear her fantastic song Legends as well.
Christmas should be celebrated by candlelight. The Lyric Theater Singers understand that and then some.
Every year in December, musical director Bob Bachelor painlessly determines the content of a show that is based in spirituality. Combining his own arrangements with those of others – Bachelor somehow embraces the Yuletide moment like very few.
Last night at Loyola Chapel, the first evening of A Candlelight Christmas’ weekend run, Bob and The lyric theater singers had special guests. The EMSB Chorale Youth Choir joined the party in act two. The group, made up of students grades 6 through secondary 5 – instilled a sense of hope to the crowd in a world where teenagers sometimes get a raw deal. Angels are alive in schools and not necessary on their smart phones.
Following act one where the musicianship and heavenly sounds from The Lyric Theater Singers embraced and welcomed their guests with versions of A Carol Fantasy (John Alexander), Songs of Angels (Trad. French Carol, Charles Wesley, George Whitefield, arr. Mark Hayes) and The Chanukah Song (Steve Young, Stephen Schwartz,.arr. Mac Huff) – the EMSB Chorale Youth Choir injected their own versions of heaven.
Hodie, nobis de caelo (First Book of Motets,1610) Alexandro Grandi, The Lord Bless You and Keep You(John Rutter) and Winter (Allan Gordon Bell) provided a yin to the Lyric Theater Singer’s yan. Led by the award winning conductor Patricia Abbott, the EMSB Chorale Group proved without doubt why they are one of the most in demand youth choirs not only in Montreal but in Canada and globally.
If choirs and angelic voices were not enough – the Candlelight Christmas’ backdrop is provided by astute musicality. Chad Linsley(piano) maintains the grounding of the sound. Instilling a ‘metronome’ tempo to keep everyone on track while adding delicious morsels of colorful notes that not only entice – lure the surrounding souls into the evening. Chris Barillaro multi-tasks on keys and percussion providing intricate sounds and rhythms when they are the most essential.
Robin Best(harp)is the bringer of ‘light’. Perhaps the most important ingredient to the Christmas and Chanukah substance as her notes reflect the season with immaculate precision.Sheila Hannigan (cello), Tim Malloch (Flute) and Carloyn Peters( Violin) not only are important factors – safe to say; A Candlelight Christmas incomplete without them.
In a world that has everyone’s head spinning, A Candlelight Christmas and Bob Bachelor’s unwavering devotion is a must – see for this Holiday season. Harmonies, solos and delightful arrangement of classics with an interjection of unfamiliar gems makes the entire evening a Christmas present for all.
A Candlelight Christmasruns through this weekend at Loyola Chapel at Concordia University.
Easy. A blend of Miles Davis, Herbie Hancock, Genesis, Yes, Rush, The Ramones, The Kinks, the Beatles and every artist between 1920 until present day.
Frank Zappa’s brilliance as a writer, producer, arranger, guitar player and every other position within an intellectual realm artistically and socially was put on display via Dweezil Zappa in Laval last night. Epic could be the best way to describe the evening.
The Purple Lagoon, Andy and Don’t You Want a Man Like Me opened things up along with the punter’s minds who were not far behind in realizing music exists beyond corporate radio. The name of this tour is Choice Cuts.An insight into the non commercial world of Frank Zappa. Given Frank’s songs were mostly non radio friendly, choosing ‘choice’ tracks should be easy.
Think again …
Firstly – Dweezil’s Muthas are not your Father’s band. When each player within a band could headline on their own – something special is on the way. Dweezil himself – one of the finest guitar players ‘off the beaten path’ and an astute songwriter to boot. Detach the Zappa moniker and all it’s expectations – Dweezil could very well be in the same breath as Vai, Satriano et al. in the mainstream conscientiousness. Frank probably would want it this way and ensure the Zappa legacy maintains musical integrity.
As the show moved along – perhaps the ladies initially stole the show. Vocalist Cian Coey and multi – instrumentalist Scheila Gonzalez were on fire. Frank Zappa’s tunes contained whimsical female voices along with serious style. Both Scheila and Cian added their parts with conviction. Cian alone – stealing the spotlight throughout the evening with power, finesse and grace. An indication the ‘top forty’ radio female vocalists are nowhere near the best. Scheila no slouch either as her vocals more than impressed and her Sax playing otherworldly. Frank would be proud.
Call Any Vegetable, Tell Me You Love Me and T’Mershi Duween. Three more tunes which only the die hard Frank fans know aside from the band.
Drummer Ryan Brown, bassist Kurt Morgan, Chris Norton on keys and guitarist / vocalist Adam Minkoff were on the same bus. Travelling the Zappa songbook at light-speed. Shining alone when called upon and perfectly in sync with grooves as sweet as the most perfect five hour Funk jam. The completeness allowing Dweezil to do his thang.
Steve Vai was one of Dweezil’s teachers back in the day. Frank Zappa was one of Dweezil’s muses. Dweezil has worked with every guitar player worth their weight in gold. Nothing could go wrong within a solo and Dweezil’s own curiosity to grow as an artist – adds to the special moments when Dweezil takes the spotlight.
Suzy Creamcheese, Valley Girl, Zoot Allures, Don’t Eat the Yellow Snow and Joe’s Garage – the show and the intensity continued.
Serious musicians playing serious licks. Only the students of music can understand and appreciate Dweezil’s (The Muthas) take on his Father’s songs. Only serious students of music can appreciate Frank Zappa and his genius.