For the fans of Rock n Roll in Montreal – watching The Damn Truth emerge from seedlings in the garden of Montreal music has been – thus far, satisfactory. Yet in the immortal words of one of Rock music’s founding fathers; “I can’t get no …”
Obtaining ‘satisfaction’ as a Rock outfit is beyond reach if you take your craft seriously. Perfection is striven for yet always just out of a finger’s touch. That is the ingredient which separates bands with success and those without. Constantly working hard.
Montreal’s The Damn Truth have had more success in the Montreal Rock n Roll scene than anyone in the past five years. Touring with ZZ Top and opening for Styx – just two achievements reached. Working with top level producers and engineers; a couple more pats on the back. The latest notch in their guitar straps? Touring Quebec with the critically acclaimed band The Sheepdogs.
In 2012, the CD Dear in The Headlights was released. It was the beginning of numerous radio appearances and live shows which introduced the band to Montreal and eventually; the world. It was the beginning of introducing Lee -La Baum’s infectious energy and chameleon-like vocals. It was the start of showcasing Tom Shemerr’s raw piercing guitar riffs and groundbreaking solos. Drummer Dave Traina’s hard driving beats and unique rhythms a la Bonham. Newcomer PY Letellier on bass – grounds it all in slightly sloppy, groovy vehicule. All in all, the city of Montreal was introduced to a talented Rock outfit with an endless amount of work ethic and hunger.
Fast forward to MTeluson a cold January evening 2019 – nothing has changed onstage. The Damn Truth still perform as if it was their very first show and their musical life ( career) depended on the outcome. Success has not reached the ears of the band. If it has, then their love and passion for what they do – easily dismisses the accolades as a monkey dismisses a fly.
Whether pounding out tunes such as I Want You (He’s a Lightweight)or Kinda Awkward from their rookie CD to new tracks off their 2016 album Devlish Folk– one thing remains the same; the fans’ reaction.
There is something in the air when The Damn Truth play their hometown. It is beyond hometown support and /or love. It is beyond great tunes. It is superior to a Rock show. What The Damn Truth bring to the stage (aside from energy) is honesty. Integrity oozes through their sweat and into the first row. From there, like an epidemic – it is passed throughout the venue. The most jaded of music fans cannot dodge the bite of the band’s vicious and truthful fangs.
In this day and age of auto-tune, loops and programmed music, The Damn Truth are throwbacks to an era when music mattered more than the money. The days like the Fillmore West when the East Coast Blues, Funk and Country guys met and blended with the California music scene. The days (and nights) when those musicians talked about creativity and making great music. The days when bands played for the fans from the heart.
An audience cannot be fooled. An audience knows when a performer is real or calling it in. An audience knows authenticity. The Damn Truth are the real deal and that is why the audiences grow larger and larger at The Damn Truth shows.
I Want To Know What Love Is, Cold As Ice,Juke Box Heroand so many hits embedded into the souls of music fans of all genres.
The legendary rock band have a tour which is coming to Montreal on
March 12th !
Foreigner’s 18-city tour launches in Vancouver on February 22nd and rocks across Canada as the band – Mick Jones (lead guitar), Kelly Hansen (lead vocals), Tom Gimbel(rhythm guitar, sax, vocals), Jeff Pilson(bass, vocals), Michael Bluestein (keyboards), Bruce Watson (guitar) and Chris Frazier (drums) – bring Foreigner’s arsenal of hits to Canada.
Please listen below to my chat with multi-instrumentalist Tom Gimbel.Aside from his current job – Tom once toured with Van Halen as their sax player. Who knew?
The Montreal International Jazz Festival got underway and this year was a great mix for fans of all genres.
Gary Petersen– the original drummer for The Guess Who (and a man who started drumming before Rock n Roll’s heyday) took some time out to chat about his career and the future of The Guess Who. Petersen has never stopped playing for the band (he owns the name) and along with his mates; the first brand new Guess Who album in twenty years hit the shelves in September. An educational chat for sure.
Lonesome George Thorogood took time to chat following the release of his first ever solo album (Party Of One) and previous to his show at The Montreal Jazz Festival and Trois Rivieres en Blues.
The word legend is tossed about too easily these days but not in George’s case. He started his career busking and within three years opened for Muddy Waters and The Rolling Stones.
Not too shabby.
Sometimes the apple does not fall far from the tree.
Mary -Lynn Doroschuk just happens to be the daughter of Stefan Doroschuk (Men Without Hats). Mary-Lynn has a new band called Wave 21. A Country -Alt unit filled with catchy tunes and classy riffs. A Montreal group to keep your ears on. A Montreal band that will only get bigger.
Joan Jett graced Place Bell along with Tesla and Styx.
Jett as powerful as ever with Punky licks and attitude while Tesla catered to the more Heavy minded fans in attendance. Styx – making their fourth appearance in Quebec in the past seven years commanded even more respect than before. They were hot and the night lasted longer than any Grand Illusion.
If Beth Hart stayed home and sang lullabies to her kids, the world would be a much sadder place.
Hart and her trio were in Montreal for The Jazz Festival and Beth stole the hearts of everyone. Telling stories of her very dysfunctional upbringing between soaring vocals and soft balladry – Place des Arts was on the verge of a collective hanky giveaway.
On this planet – no female singer can reach into their souls so deep and raise the roof so high within a song. Multiply that by fifteen tunes and see how tired you are from a Beth Hart show.
Boz was here as part of The Jazz Festival and what a surprise musician he turned out to be. Unless you were / are a huge fan or came from a certain decade, Boz (to the general music world) was a two hit wonder. Like many musicians from the 70s and even the 80s, the limelight and success don’t go hand in hand. Boz has more talent playing, singing and producing/ arranging than about 75% of those with hits before or since. Put that in your hat and smoke it.
Jordan Officeropened up for George Thorogood at Place des Arts as part of The Jazz Festival and blew the roof off the joint. Officer has turned the corner in his Blues comeback and had George’s Destroyers shaking in their boots. Trois Rivieres is Jordan’s latest record and it will be considered the turning point in a soon too be mammoth career.
Easily the concert of the year in Montreal.
Lee’s husband / musical mentor Richard passed away the morning of her Jazz Festival show and for most artists – the plug would have been pulled. Not only did Ranee perform, she outperformed any of the numerous award winning shows she had done before. Emotions were high (the crowd knew of the circumstances) yet Ranee used the emotion to grow stronger with each song. The concert will go down as one of the greatest in Montreal music history.
Half way through the year – the music kept coming.
The folks at The Montreal International Jazz Festival announced their line up and the stage was set ( so to speak).
Jann Arden was in town and at this point in her musical career – she is the Elton John of Canadian women.
The hits and the magic within new tunes are gone and she is relying on her past glories to fill joints around the Country. Thankfully, she is a very funny woman and the banter alone is worth half the price of admission. Add the hits from twenty years ago – you get fully what you paid for.
East of Sunday – Carvin Jones
Blues guitarist extraordinaire Carvin Jones made his first appearance in Montreal and local band East of Sunday opened up.
Jones is a monster on guitar and his showmanship – second to none. Think Buddy Guy without the powerful voice. East of Sunday are poised to take the Montreal Rock throne away from The Damn Truth. Look out this coming summer as both Carvin and East of Sunday will hit the road with heat.
Paul Young / Midge Ure
Paul Young was one of the biggest stars of the 1980’s video wave and Ure co-wrote Do They Know It’s Christmas for Band Aid. Ure was also the leader of Ultravox and a member of Thin Lizzy among other things.
Ure and Young held a double bill at Club Soda and only one showed up.
Ure was fine as he gained strength with his tunes – hits and all. Young, on the other hand was, well … old. Paul stumbled through a set continually struggling to hit notes and stay in key. When he did get in sync – his voice was weak. A sign of the end or an off night? Things that make you go hmmm …
Dr. Lonnie Smith
The good doctor ( the most sought after Hammond B3 player in all genres) put on a clinic at Le Gesu. Fifty years in the spotlight and recording with the who is who of music has enabled Smith to assume command over the audience, his band-mates and his instrument. Anyone who witnesses a Smith performance – is blessed.
Conductor Demirjian sat down and spoke of his upcoming Montreal gig with Dreamworks Animation. The gig is a full orchestra playing the soundtrack live of DreamWorks classics such as Shrek and How To Train Your Dragon.
In the beginning of cinema, live orchestras were the only form of sound for a viewing audience. To witness and hear the experience in 2018 is a welcome change to digital dust.
Cecile Mclorant- Salvant
The second best female singer walking the planet ( Lisa Fischer would be first) put on a lesson in vocals. Adding all the great ingredients from all the great Jazz ladies ( Holiday, James, Fitzgerald) and her own unique voice, Salvant is the driver. Complete command of everything and she is’ just starting out’. A must see concert if you must see.
If there ever was a female artist who did all for ‘art’s sake’- it is Gainsbourg. The actress / composer / songwriter / singer / writer / painter and poet lays all her emotions on her sleeve.
Her show at MTelus was not for the non intellects. Combining electronica and common place rythym with her piano sensibility is mesmerizing to the punters. Her fan base is devoted, loyal and safe to say; artistic.
Twelve months have come and gone quicker than a man / woman looking for a one night stand. That’s what happens when music is in the air and in your soul.
Let’s take a look back shall we? Let us revisit the musical past of 2018.
Steve Hill finally released a live album after nine studio albums. He wanted to make sure it was done right and being the perfectionist Steve is – the delay came as no surprise. Check out the album; The One-Man Blues Rock Band, it’s a must have for Steve Hill fans.
The Box, one of the most successful bands to come from Quebec, returned with a brand new EP titled Take Me Home. Jean Marc Pisapia, the singer and songwriter for The Box,gave a three part interview about his career and the new EP. Very insightful if you are a fan of the eighties and Canadian music history.
Jim Cuddy of Blue Rodeo fame was in town with his side project The Jim Cuddy Band. Their performance at the Corona which included Jim’s two sons and Barney Bentall – blew some Canadian wind into the joint. Cuddy’s down to earth charm combined with an elite backing band was just what the music scene needed. Blue Rodeo ain’t got nothing on these guys and girls.
One of the co – founders of April Wine, Jim Henman, has been affected by the senseless shootings south of the border. He was so profoundly moved by the acts of violence – he wrote a song.
The song ‘Some of These Children’is a poignant and stirring take on events that have affected everyone. Parents, teachers, relatives and the entire world.
Jim Henman is donating fifty percent of all sales from the song to The Boys And Girls Club of Greater Halifax.This is a start to not only help the kids in Nova Scotia – to also send a message globally that us humans have had enough.
The Brooks resume includes opening up for The Doobie Brothers and Kool and The Gang. Two huge blowouts at the Montreal International Jazz Festival are also easy on the ears on a rhythmic C.V.
In May – the band (and what seemed like the entire city of Montreal), raised the roof at L’Astral and cemented their position as this city’s soon-to-be next Arcade Fire on the global scene.
April Wine’s Brian Greenway sat down and spoke of his career with April Wine and what came before. Bands such as The Wackersand The Dudes along with tales of playing at the historic Maples Inn before Myles Goodwyn grabbed him for super-stardom. Brian also spoke of his side project The Blues Bus with former Wine guitarist Gary Moffett.
Up and coming guitar player Paolo Stantereleased his third album; At It Again. The most complete recording of his career and cementing his position as one of the top ten guitar players in Quebec and Montreal.
In a music galaxy far, far away – a Canadian band altered the airwaves and sent Canada into an entirely different universe.
Crack of Dawn were the first black band to be signed to a major label (CBS) in Canada. Otis Redding’s producer discovered them and the band sold more albums than Earth, Wind and Fire in Canada. They were headed for stardom yet they disappeared.
In 2018 – they released a new album and started touring again. Proving once and for all – you can teach an old dog new tricks as long as the tricks are old.
April Wine co founder Jim Henmanwas in the news yet again. He recorded an album with his family. Something he wanted to do for a long while and finally finished it before it ‘is too late’.The Henman Family Albumis a delightful listen with all ten kids doing their musical thing.
Lawrence Gowan of Styx took time out to chat once again. Speaking with Larry, Lawrence or Gowan is always a history lesson and a lot of fun. The interview was a precursor to Styx’ appearance with Joan Jettand Tesla at Place Bell in Laval.
The League of Rockenlisted some local rock stars including Brian Greenway ( April Wine) and Corey Diabo( Jonas and The Massive Attraction) to coach musicians who normally just play in their basements. It is an event which showcases talent and at the same time, gives an opportunity for the players to hit a stage in front of a live audience for maybe the first and last time in their lives.
Local songwriter and guitar player Justin Saladinoreleased his album A Fool’s Heart. It was a coming of age for the young West Islander and music teacher. His vocals – a weak point before, came into fruition and the album cemented Justin’s place among the best in Montreal.
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