For the fans of Rock n Roll in Montreal – watching The Damn Truth emerge from seedlings in the garden of Montreal music has been – thus far, satisfactory. Yet in the immortal words of one of Rock music’s founding fathers; “I can’t get no …”
Obtaining ‘satisfaction’ as a Rock outfit is beyond reach if you take your craft seriously. Perfection is striven for yet always just out of a finger’s touch. That is the ingredient which separates bands with success and those without. Constantly working hard.
Montreal’s The Damn Truth have had more success in the Montreal Rock n Roll scene than anyone in the past five years. Touring with ZZ Top and opening for Styx – just two achievements reached. Working with top level producers and engineers; a couple more pats on the back. The latest notch in their guitar straps? Touring Quebec with the critically acclaimed band The Sheepdogs.
In 2012, the CD Dear in The Headlights was released. It was the beginning of numerous radio appearances and live shows which introduced the band to Montreal and eventually; the world. It was the beginning of introducing Lee -La Baum’s infectious energy and chameleon-like vocals. It was the start of showcasing Tom Shemerr’s raw piercing guitar riffs and groundbreaking solos. Drummer Dave Traina’s hard driving beats and unique rhythms a la Bonham. Newcomer PY Letellier on bass – grounds it all in slightly sloppy, groovy vehicule. All in all, the city of Montreal was introduced to a talented Rock outfit with an endless amount of work ethic and hunger.
Fast forward to MTeluson a cold January evening 2019 – nothing has changed onstage. The Damn Truth still perform as if it was their very first show and their musical life ( career) depended on the outcome. Success has not reached the ears of the band. If it has, then their love and passion for what they do – easily dismisses the accolades as a monkey dismisses a fly.
Whether pounding out tunes such as I Want You (He’s a Lightweight)or Kinda Awkward from their rookie CD to new tracks off their 2016 album Devlish Folk– one thing remains the same; the fans’ reaction.
There is something in the air when The Damn Truth play their hometown. It is beyond hometown support and /or love. It is beyond great tunes. It is superior to a Rock show. What The Damn Truth bring to the stage (aside from energy) is honesty. Integrity oozes through their sweat and into the first row. From there, like an epidemic – it is passed throughout the venue. The most jaded of music fans cannot dodge the bite of the band’s vicious and truthful fangs.
In this day and age of auto-tune, loops and programmed music, The Damn Truth are throwbacks to an era when music mattered more than the money. The days like the Fillmore West when the East Coast Blues, Funk and Country guys met and blended with the California music scene. The days (and nights) when those musicians talked about creativity and making great music. The days when bands played for the fans from the heart.
An audience cannot be fooled. An audience knows when a performer is real or calling it in. An audience knows authenticity. The Damn Truth are the real deal and that is why the audiences grow larger and larger at The Damn Truth shows.
I Want To Know What Love Is, Cold As Ice,Juke Box Heroand so many hits embedded into the souls of music fans of all genres.
The legendary rock band have a tour which is coming to Montreal on
March 12th !
Foreigner’s 18-city tour launches in Vancouver on February 22nd and rocks across Canada as the band – Mick Jones (lead guitar), Kelly Hansen (lead vocals), Tom Gimbel(rhythm guitar, sax, vocals), Jeff Pilson(bass, vocals), Michael Bluestein (keyboards), Bruce Watson (guitar) and Chris Frazier (drums) – bring Foreigner’s arsenal of hits to Canada.
Please listen below to my chat with multi-instrumentalist Tom Gimbel.Aside from his current job – Tom once toured with Van Halen as their sax player. Who knew?
The Montreal International Jazz Festival got underway and this year was a great mix for fans of all genres.
Gary Petersen– the original drummer for The Guess Who (and a man who started drumming before Rock n Roll’s heyday) took some time out to chat about his career and the future of The Guess Who. Petersen has never stopped playing for the band (he owns the name) and along with his mates; the first brand new Guess Who album in twenty years hit the shelves in September. An educational chat for sure.
Lonesome George Thorogood took time to chat following the release of his first ever solo album (Party Of One) and previous to his show at The Montreal Jazz Festival and Trois Rivieres en Blues.
The word legend is tossed about too easily these days but not in George’s case. He started his career busking and within three years opened for Muddy Waters and The Rolling Stones.
Not too shabby.
Sometimes the apple does not fall far from the tree.
Mary -Lynn Doroschuk just happens to be the daughter of Stefan Doroschuk (Men Without Hats). Mary-Lynn has a new band called Wave 21. A Country -Alt unit filled with catchy tunes and classy riffs. A Montreal group to keep your ears on. A Montreal band that will only get bigger.
Joan Jett graced Place Bell along with Tesla and Styx.
Jett as powerful as ever with Punky licks and attitude while Tesla catered to the more Heavy minded fans in attendance. Styx – making their fourth appearance in Quebec in the past seven years commanded even more respect than before. They were hot and the night lasted longer than any Grand Illusion.
If Beth Hart stayed home and sang lullabies to her kids, the world would be a much sadder place.
Hart and her trio were in Montreal for The Jazz Festival and Beth stole the hearts of everyone. Telling stories of her very dysfunctional upbringing between soaring vocals and soft balladry – Place des Arts was on the verge of a collective hanky giveaway.
On this planet – no female singer can reach into their souls so deep and raise the roof so high within a song. Multiply that by fifteen tunes and see how tired you are from a Beth Hart show.
Boz was here as part of The Jazz Festival and what a surprise musician he turned out to be. Unless you were / are a huge fan or came from a certain decade, Boz (to the general music world) was a two hit wonder. Like many musicians from the 70s and even the 80s, the limelight and success don’t go hand in hand. Boz has more talent playing, singing and producing/ arranging than about 75% of those with hits before or since. Put that in your hat and smoke it.
Jordan Officeropened up for George Thorogood at Place des Arts as part of The Jazz Festival and blew the roof off the joint. Officer has turned the corner in his Blues comeback and had George’s Destroyers shaking in their boots. Trois Rivieres is Jordan’s latest record and it will be considered the turning point in a soon too be mammoth career.
Easily the concert of the year in Montreal.
Lee’s husband / musical mentor Richard passed away the morning of her Jazz Festival show and for most artists – the plug would have been pulled. Not only did Ranee perform, she outperformed any of the numerous award winning shows she had done before. Emotions were high (the crowd knew of the circumstances) yet Ranee used the emotion to grow stronger with each song. The concert will go down as one of the greatest in Montreal music history.
Half way through the year – the music kept coming.
The folks at The Montreal International Jazz Festival announced their line up and the stage was set ( so to speak).
Jann Arden was in town and at this point in her musical career – she is the Elton John of Canadian women.
The hits and the magic within new tunes are gone and she is relying on her past glories to fill joints around the Country. Thankfully, she is a very funny woman and the banter alone is worth half the price of admission. Add the hits from twenty years ago – you get fully what you paid for.
East of Sunday – Carvin Jones
Blues guitarist extraordinaire Carvin Jones made his first appearance in Montreal and local band East of Sunday opened up.
Jones is a monster on guitar and his showmanship – second to none. Think Buddy Guy without the powerful voice. East of Sunday are poised to take the Montreal Rock throne away from The Damn Truth. Look out this coming summer as both Carvin and East of Sunday will hit the road with heat.
Paul Young / Midge Ure
Paul Young was one of the biggest stars of the 1980’s video wave and Ure co-wrote Do They Know It’s Christmas for Band Aid. Ure was also the leader of Ultravox and a member of Thin Lizzy among other things.
Ure and Young held a double bill at Club Soda and only one showed up.
Ure was fine as he gained strength with his tunes – hits and all. Young, on the other hand was, well … old. Paul stumbled through a set continually struggling to hit notes and stay in key. When he did get in sync – his voice was weak. A sign of the end or an off night? Things that make you go hmmm …
Dr. Lonnie Smith
The good doctor ( the most sought after Hammond B3 player in all genres) put on a clinic at Le Gesu. Fifty years in the spotlight and recording with the who is who of music has enabled Smith to assume command over the audience, his band-mates and his instrument. Anyone who witnesses a Smith performance – is blessed.
Conductor Demirjian sat down and spoke of his upcoming Montreal gig with Dreamworks Animation. The gig is a full orchestra playing the soundtrack live of DreamWorks classics such as Shrek and How To Train Your Dragon.
In the beginning of cinema, live orchestras were the only form of sound for a viewing audience. To witness and hear the experience in 2018 is a welcome change to digital dust.
Cecile Mclorant- Salvant
The second best female singer walking the planet ( Lisa Fischer would be first) put on a lesson in vocals. Adding all the great ingredients from all the great Jazz ladies ( Holiday, James, Fitzgerald) and her own unique voice, Salvant is the driver. Complete command of everything and she is’ just starting out’. A must see concert if you must see.
If there ever was a female artist who did all for ‘art’s sake’- it is Gainsbourg. The actress / composer / songwriter / singer / writer / painter and poet lays all her emotions on her sleeve.
Her show at MTelus was not for the non intellects. Combining electronica and common place rythym with her piano sensibility is mesmerizing to the punters. Her fan base is devoted, loyal and safe to say; artistic.
Twelve months have come and gone quicker than a man / woman looking for a one night stand. That’s what happens when music is in the air and in your soul.
Let’s take a look back shall we? Let us revisit the musical past of 2018.
Steve Hill finally released a live album after nine studio albums. He wanted to make sure it was done right and being the perfectionist Steve is – the delay came as no surprise. Check out the album; The One-Man Blues Rock Band, it’s a must have for Steve Hill fans.
The Box, one of the most successful bands to come from Quebec, returned with a brand new EP titled Take Me Home. Jean Marc Pisapia, the singer and songwriter for The Box,gave a three part interview about his career and the new EP. Very insightful if you are a fan of the eighties and Canadian music history.
Jim Cuddy of Blue Rodeo fame was in town with his side project The Jim Cuddy Band. Their performance at the Corona which included Jim’s two sons and Barney Bentall – blew some Canadian wind into the joint. Cuddy’s down to earth charm combined with an elite backing band was just what the music scene needed. Blue Rodeo ain’t got nothing on these guys and girls.
One of the co – founders of April Wine, Jim Henman, has been affected by the senseless shootings south of the border. He was so profoundly moved by the acts of violence – he wrote a song.
The song ‘Some of These Children’is a poignant and stirring take on events that have affected everyone. Parents, teachers, relatives and the entire world.
Jim Henman is donating fifty percent of all sales from the song to The Boys And Girls Club of Greater Halifax.This is a start to not only help the kids in Nova Scotia – to also send a message globally that us humans have had enough.
The Brooks resume includes opening up for The Doobie Brothers and Kool and The Gang. Two huge blowouts at the Montreal International Jazz Festival are also easy on the ears on a rhythmic C.V.
In May – the band (and what seemed like the entire city of Montreal), raised the roof at L’Astral and cemented their position as this city’s soon-to-be next Arcade Fire on the global scene.
April Wine’s Brian Greenway sat down and spoke of his career with April Wine and what came before. Bands such as The Wackersand The Dudes along with tales of playing at the historic Maples Inn before Myles Goodwyn grabbed him for super-stardom. Brian also spoke of his side project The Blues Bus with former Wine guitarist Gary Moffett.
Up and coming guitar player Paolo Stantereleased his third album; At It Again. The most complete recording of his career and cementing his position as one of the top ten guitar players in Quebec and Montreal.
In a music galaxy far, far away – a Canadian band altered the airwaves and sent Canada into an entirely different universe.
Crack of Dawn were the first black band to be signed to a major label (CBS) in Canada. Otis Redding’s producer discovered them and the band sold more albums than Earth, Wind and Fire in Canada. They were headed for stardom yet they disappeared.
In 2018 – they released a new album and started touring again. Proving once and for all – you can teach an old dog new tricks as long as the tricks are old.
April Wine co founder Jim Henmanwas in the news yet again. He recorded an album with his family. Something he wanted to do for a long while and finally finished it before it ‘is too late’.The Henman Family Albumis a delightful listen with all ten kids doing their musical thing.
Lawrence Gowan of Styx took time out to chat once again. Speaking with Larry, Lawrence or Gowan is always a history lesson and a lot of fun. The interview was a precursor to Styx’ appearance with Joan Jettand Tesla at Place Bell in Laval.
The League of Rockenlisted some local rock stars including Brian Greenway ( April Wine) and Corey Diabo( Jonas and The Massive Attraction) to coach musicians who normally just play in their basements. It is an event which showcases talent and at the same time, gives an opportunity for the players to hit a stage in front of a live audience for maybe the first and last time in their lives.
Local songwriter and guitar player Justin Saladinoreleased his album A Fool’s Heart. It was a coming of age for the young West Islander and music teacher. His vocals – a weak point before, came into fruition and the album cemented Justin’s place among the best in Montreal.
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Twelve months have come and gone quicker than a man / woman looking for a one night stand. That’s what happens when music is in the air and in your soul.
Let’s take a look back shall we? Let us revisit the musical past of 2018.
Big Wreck celebrated twenty years as a band with a bang on show at The Corona. The loyal fans were not disappointed by the raw Rock / Alternative. /Grunge tunes spun by lead singer and principal songwriter Ian Thornley.
Canadian Country Star Tim Hickswas in town with a new album and injecting some much needed exposure of Country music to Quebec. The Country scene in this province is kinda underground yet Hicks brought the fans from behind their barns and into the spotlight.
Former Genesis guitar man Steve Hackett was in town in what appears as almost an annual event. The love affair between Hackett / Genesis and this province has never been more amorous as Hackett et al performed the Genesis catalog along with his solo stuff.
Kim Churchill, aka the man from Down Under, has more talent in his finger than the majority of ‘your top forty’ radio stars. Kim was in town promoting his new album and it was the second time in three years Kim was touring Quebec. The provincial love affair is nearing Steve Hackett territory.
Devon Cuddy(son of Jim) and his Devon Cuddy Band were in Montreal promoting their new EP. Devin is a chip of the old ‘Rodeo’ and just may surpass Dad in success due to his songwriting and piano playing (without the help of Greg Keelor).
Pianist Mike Jones released a magical album with a magician. Jones – happens to be the piano player for Las Vegas act Penn and Teller. Jones convinced Penn to record an album. Jones took four hours of his time to speak of the album, his favorite piano players (of all time) and Jazz in general. One of the most informative chats I have been privy to.
Montrealer Sule Heitnerreleased an album and took some time to chat about it. Sule is one of the most talented guitar players playing in Montreal and his smooth voice and songwriting are a tip of the hat to old school R & B.
Eastern town-shipper and Blues veteran Mike Goudreau released an album of alternative takes. Songs that were there (but not really) all rolled into a pure Blues (and fun album). Goudreau also spoke of his success selling music to Hollywood.
Model / actress/ songwriter / singer Carla Bruni was at L’Olympia sporting her new album. Mick Jagger’s former squeeze and former first lady of France put on a bilingual show complete with a cover of Jagger / Richards’ Miss You. Serenity ruled with often humorous banter from this talented lady.
The most talented and adventurous student of The Blues in Quebec – Jordan Officer released an album entitled Three Rivers. Adding fiddle to his arsenal – Officer’s foray into his first love (The Blues) continues it’s assent to the highest peaks.
Inspired by the #MeToo movement – Rosie and The Riveters released an album to empower women and to also tell some sordid stories of their own. This Western Canadian – based trio make toes tap and hearts sing with pure music. A lot of tongue-in- cheek humor gets the message across also.
Montreal writer and author Kristian Gravenor has unearthed quite a few tales of the Montreal music scene in his book; Montreal 375 Tales of Eating, Drinking, Living and Loving.
On any given evening, a music lover could walk downtown Montreal and visit numerous clubs. All of them hosting bands and / or DJs. You wanted Jazz? No problem. Rock n Roll? Check out Kristian’s labor of love.
Canadian legend Kim Mitchellwas in Quebec city because he is Kim Mitchell. Kim took some time to chat before his show and what a show it was. Timeless tunes and Canadian wit ruled the night with a soda in hand …
Bluesman Jack Broadbent was in town at L’Astral strutting his acoustic stuff. Very few men or woman take the time to understand and learn to play The Blues with conviction and place the likes of Robert Johnson in their pockets. Broadbent is the next generation of Blues-men who do it for the right reasons.
Canadian Music Hall of Fame member and front-man for April Wine Myles Goodwyn, released a solo album filled with the Blues and special guests. Myles proved that his first love in music will give him ‘miles’ to go in his career after (if) April Wine calls it a day. A two part chat revealed much about the man who remains an enigma to many.
Former Bostonian-turned-Montrealer-turned-New York-er Emma Frank released an album which may be one of the best of 2018. Ocean Av is the name and songwriting is Emma’s game. The album helped return Emma to Montreal as part of The Montreal International Jazz Festival.
Stay tuned for Part Two of 2018 In Review !
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Retired Montreal DJ, promoter and all round music guru Sheldon Kaganhas written a book detailing all his memories from a musical life unmatched. Whether it is an unsavory meeting with Miles Davis or an ‘almost superstar concert’ quashed by an unexpected death – Sheldon delivers a life story which every music lover must read.
Music does not need to be a ticketed item. A musician does not need to be a global star to warrant accolades. Montrealer Steve Creepis the hardest working musician in Montreal. His acoustics and band sets take place seven nights a week in places such as Brutopia and various McKibbons outlets (among others). Very few musicians have such a vast knowledge and repertoire of all genres. Steve is so good – former Montreal Canadien Tomas Plekanec sought Steve out following many Canadiens’ home games. Buy a beer or two, have a meal and support Mr. Creep.
On January 26th for seven days you will cruise through locations including Nassau, The Bahamas, Cozumel and Costa Maya, Mexico, and Key West, Florida.
The line-up on this cruise is a joint effort of Blue Note president Don Was and Blue Note Jazz Clubs president Steven Bensusan. Joining Kosins on the bill is Marcus Miller, Robert Glasper, David Sanborn, Cécile McLorin Salvant, Logan Richardson, Luques Curtis, Wynton Marsalis, Kurt Elling, José James, Christian Scott, Terence Blanchard, Jason Moran, Kandace Springs, Wycliffe Gordon, Eric Marienthal, Ben Williams, Taylor McFerrin, Terrace Martin, Derrick Hodge, Geoffrey Keezer, and many more! There will be various venues of different size, with main shows played twice nightly in the ship’s largest venue.
Grammy-winning Southern rockers The Kentucky Headhunters are back on Alligator with Live At The Ramblin’ Man Fair, a raucous live album recorded in front of 25,000 screaming fans at the UK’s famed rock festival. In addition to the full live set, the album features three bonus studio tracks from the legendary Meet Me In Bluesland sessions featuring the late Johnnie Johnson, known for his seminal piano work on Chuck Berry’s most influential and famous songs.
Live At The Ramblin’ Man Fair features an adrenaline-fueled set list with the Headhunters at the top of their game at their first-ever UK performance. Mixing six high-energy originals, searing blues rockers and a thunderous take on The Beatles’ Don’t Let Me Down, the Headhunters have never sounded more intense and fun.
Closing out the album are three recently discovered tracks featuring Rock &’ Roll Hall of Famer Johnnie Johnson on piano with the band, boldly underscoring the Kentucky Headhunters’ deep blues chops and Johnnie’s mastery of rockin’ piano.
Not only is Jess Canadian, she is also the heir to Shania Twain’s Country throne. Jess has won most Country awards lately and she treks into Christmas territory with an album filled with her favorites growing up. As roots as a Christmas album will get.
Not only is David Myles one of the best vocalists and songwriters in Canada – he also owns one of the largest hearts. Every year David puts on Christmas shows in malls in Nova Scotia and raises money for the less fortunate. Backed by his excellent album; It’s Christmas, a must see show and a must buy album.
If everyone took steps for change – change would come.
Westmount native Annabel Gutherzhopes that people will follow her lead in making changes to the way people think. Inspired by the senseless school shootings in the States, Annabel wrote a song to make a difference.
All proceeds of the sales of the song will go to an organization called WE.
Please listen below to my chat with Annabel and find out all you need to know. Hear her fantastic song Legends as well.
Christmas should be celebrated by candlelight. The Lyric Theater Singers understand that and then some.
Every year in December, musical director Bob Bachelor painlessly determines the content of a show that is based in spirituality. Combining his own arrangements with those of others – Bachelor somehow embraces the Yuletide moment like very few.
Last night at Loyola Chapel, the first evening of A Candlelight Christmas’ weekend run, Bob and The lyric theater singers had special guests. The EMSB Chorale Youth Choir joined the party in act two. The group, made up of students grades 6 through secondary 5 – instilled a sense of hope to the crowd in a world where teenagers sometimes get a raw deal. Angels are alive in schools and not necessary on their smart phones.
Following act one where the musicianship and heavenly sounds from The Lyric Theater Singers embraced and welcomed their guests with versions of A Carol Fantasy (John Alexander), Songs of Angels (Trad. French Carol, Charles Wesley, George Whitefield, arr. Mark Hayes) and The Chanukah Song (Steve Young, Stephen Schwartz,.arr. Mac Huff) – the EMSB Chorale Youth Choir injected their own versions of heaven.
Hodie, nobis de caelo (First Book of Motets,1610) Alexandro Grandi, The Lord Bless You and Keep You(John Rutter) and Winter (Allan Gordon Bell) provided a yin to the Lyric Theater Singer’s yan. Led by the award winning conductor Patricia Abbott, the EMSB Chorale Group proved without doubt why they are one of the most in demand youth choirs not only in Montreal but in Canada and globally.
If choirs and angelic voices were not enough – the Candlelight Christmas’ backdrop is provided by astute musicality. Chad Linsley(piano) maintains the grounding of the sound. Instilling a ‘metronome’ tempo to keep everyone on track while adding delicious morsels of colorful notes that not only entice – lure the surrounding souls into the evening. Chris Barillaro multi-tasks on keys and percussion providing intricate sounds and rhythms when they are the most essential.
Robin Best(harp)is the bringer of ‘light’. Perhaps the most important ingredient to the Christmas and Chanukah substance as her notes reflect the season with immaculate precision.Sheila Hannigan (cello), Tim Malloch (Flute) and Carloyn Peters( Violin) not only are important factors – safe to say; A Candlelight Christmas incomplete without them.
In a world that has everyone’s head spinning, A Candlelight Christmas and Bob Bachelor’s unwavering devotion is a must – see for this Holiday season. Harmonies, solos and delightful arrangement of classics with an interjection of unfamiliar gems makes the entire evening a Christmas present for all.
A Candlelight Christmasruns through this weekend at Loyola Chapel at Concordia University.
Easy. A blend of Miles Davis, Herbie Hancock, Genesis, Yes, Rush, The Ramones, The Kinks, the Beatles and every artist between 1920 until present day.
Frank Zappa’s brilliance as a writer, producer, arranger, guitar player and every other position within an intellectual realm artistically and socially was put on display via Dweezil Zappa in Laval last night. Epic could be the best way to describe the evening.
The Purple Lagoon, Andy and Don’t You Want a Man Like Me opened things up along with the punter’s minds who were not far behind in realizing music exists beyond corporate radio. The name of this tour is Choice Cuts.An insight into the non commercial world of Frank Zappa. Given Frank’s songs were mostly non radio friendly, choosing ‘choice’ tracks should be easy.
Think again …
Firstly – Dweezil’s Muthas are not your Father’s band. When each player within a band could headline on their own – something special is on the way. Dweezil himself – one of the finest guitar players ‘off the beaten path’ and an astute songwriter to boot. Detach the Zappa moniker and all it’s expectations – Dweezil could very well be in the same breath as Vai, Satriano et al. in the mainstream conscientiousness. Frank probably would want it this way and ensure the Zappa legacy maintains musical integrity.
As the show moved along – perhaps the ladies initially stole the show. Vocalist Cian Coey and multi – instrumentalist Scheila Gonzalez were on fire. Frank Zappa’s tunes contained whimsical female voices along with serious style. Both Scheila and Cian added their parts with conviction. Cian alone – stealing the spotlight throughout the evening with power, finesse and grace. An indication the ‘top forty’ radio female vocalists are nowhere near the best. Scheila no slouch either as her vocals more than impressed and her Sax playing otherworldly. Frank would be proud.
Call Any Vegetable, Tell Me You Love Me and T’Mershi Duween. Three more tunes which only the die hard Frank fans know aside from the band.
Drummer Ryan Brown, bassist Kurt Morgan, Chris Norton on keys and guitarist / vocalist Adam Minkoff were on the same bus. Travelling the Zappa songbook at light-speed. Shining alone when called upon and perfectly in sync with grooves as sweet as the most perfect five hour Funk jam. The completeness allowing Dweezil to do his thang.
Steve Vai was one of Dweezil’s teachers back in the day. Frank Zappa was one of Dweezil’s muses. Dweezil has worked with every guitar player worth their weight in gold. Nothing could go wrong within a solo and Dweezil’s own curiosity to grow as an artist – adds to the special moments when Dweezil takes the spotlight.
Suzy Creamcheese, Valley Girl, Zoot Allures, Don’t Eat the Yellow Snow and Joe’s Garage – the show and the intensity continued.
Serious musicians playing serious licks. Only the students of music can understand and appreciate Dweezil’s (The Muthas) take on his Father’s songs. Only serious students of music can appreciate Frank Zappa and his genius.
Some bands fall through the cracks as far as recognition goes. Stiff Little Fingers are one of those bands.
Born at the height of Punk music’s global popularity, the band emerged from a Country that was not known for Rock music.
‘I have no doubt there were many talented musicians and songwriters in Ireland …” Says original and current member and songwriter Jake Burns. ” Due to the fear factor of losing jobs (that were few and far between) and the non acceptance of Northern Ireland musicians due to the political unrest in Ireland, sadly many chose or were forced to stay put.”
Stiff Little Fingers, a group of schoolboy friends formed in 1977. A time when groups such as The Ramones and The Sex Pistols were gaining momentum. It was another band however which many comparisons were made.
“Everyone kept telling us we sounded like The Clash and we were asked if they were a huge influence.” Says Burns on the eve of their November 10th show in Montreal. “We never really spoke with the guys from The Clash and wondered if they took us as a threat or admired us.”
Four albums in three years starting in 1979 saw the band emerge as a voice of unrest for not only the people of Ireland – the entire world. Punk music and Stiff Little Fingers were affecting fans and non fans alike.
“When I started writing songs, I had a little difficulty coming up with ideas and they were forced’ Says Burns. ” I spoke with someone and once I realized it is important to write what you know – that is when things changed for me as a songwriter and the band.
Stiff Little Fingers then suffered the same fate as many bands. Knowing each other for so long and being on the road and always together, the fighting started.
” All these years later, in hindsight – all we needed to do was to take a step back and we would have been fine …” Admits Jake. ” It was not about dislike, it was about the stress of the business and a lot of pressure to maintain a band.”
In 1987, following a hiatus and Jake partaking in a solo effort and collaborations, Stiff Little Fingers reunited and despite the words of the music business; The Fingers embarked on what would become a very successful tour in Germany to sold out crowds. Burns and the band have never looked back.
Since their reformation, Stiff Little Fingers have released six albums with the last being the critically acclaimed 2014’s ‘No Going Back’.
Jake Burns still follows the recipe of writing what he knows for success.
” I went through some major life changes such as a divorce and relocation to a different continent and I did not think anyone would want to listen to a middle age guy sing about a mid-life crisis and divorce. Luckily I was wrong …”
Stiff Little Fingers are in Montreal Saturday night November 10th at Foufounes Electriques.
Frank Zappa’s son Dweezil, is a chip off the old block even though it is not sought out. Call it instinct, call it learned behavior or call it genetic – the artistic blood does circulate and will eventually come out in layered colors.
Please listen below to Part One of my chat with Dweezil Zappa. Topics include his Dad, his guitar playing and many other interesting tidbits. Stay tuned for Part Two.
The Blues are steeped in tradition of making deals with the Devil at the crossroads. Bad in the Blues is a good thing.
Justin Saladino and his band were the baddest thing on stage Tuesday night as they competed and won The Quebec to Memphis Blues Challenge. The next step? Conquering the biggest Blues stage in the world.
Please listen belowto my chat with Justin about the win and his steadfast work ethic to be better all the time.
Five bands have been chosen as the finalists in 2018. Five different sounds all within the confines of the Blues formula. Different but with the very familiar sound which propelled the legends of Rock n Roll to super-stardom.
Have a listen below to five songs from five artists. Can you choose a winner?
Max Parker is young, Canadian and a songwriter. That is where the comparison with Justin Bieber ends.
Max is his own person. Something he wants to make clear as his single makes it’s way into the charts.
‘Out of the Blue’ is the first single released with more on the way in the coming months. The song showcases Max’ talents as a guy with a profound soul. Something which is essential to a songwriter. The innate ability to see the world from the outside looking in.
Please listen below to my chat with Max and hear the new single. Get a sneak preview to another tune as well.
He found fame in New York City at just 16 years old when he wrote How’d We Ever Get This Way?- the first of nine Billboard Top 40 hits. Those hits included #1 songs Rock Me Gently and Sugar, Sugar, the latter being one of Billboard’s “Greatest Songs of All Time.
Andy is a member of Songwriters Hall of Fame and was inducted into Billboard’s Hit Parade Hall of Fame in 2010. Andy has sold over 30 million records with songs covered by music history’s greats; Wilson Pickett, Tom Jones, Ike & Tina Turner and Bob Marley.
Andy will be inducted onto Canada’s Walk of Fame in December! Inductions will be held at the Canada’s Walk of Fame Awards show at the Sony Centre for the Performing Arts in Toronto on December 1,2018, followed by a 20th Anniversary Gala celebration to be held at the Fairmont Royal York. The Canada’s Walk Of Fame Awards will air on CTV in December.
Please listen below to part two of my chat with Andy.