On The Corner was not received well upon it’s release in 1972. Times change …
The (now) landmark album by Miles Davis was ahead of it’s time. A precursor to 1970’s Funk, Rock and eventually Hip Hop. Miles – as usual, ahead of his time and ahead of the times.
Dave Liebman was on that album with Miles and it gave Jeff Coffin (Dave Mathews Band, Bela Fleck and The Flecktones) an idea. Coffin assembled an All Star band to do a live performance of On The Corner. A ‘gig’ that thankfully was recorded and a ‘gig’ that one day may be considered historic in itself.
Please listen below to my chat with Jeff about the album, Miles and The Dave Mathews Band.
In 1989, Colin James had ‘Miles to Go’ in his career.
Colin was given the Juno Award for Most Promising Male Artist. It was the same year that Back to the Future Two was released and Game Boy was one of the most popular toys on the market. Colin, the film and the (then) technologically advanced toy were all signs that life was changing.
The beginning of the 90’s saw more and more money going into the pockets of the businessmen. Artists, filmmakers and inventors had their souls sucked into commercial abysses. Blues artists – men like Buddy Guy and B.B. King (the forefathers of the music that laid the frame for all popular music) were pushed aside.
Thankfully – Canada came to the rescue with two guys who kept the Blues alive on a commercially successful stage. Jeff Healey and Colin James.
Since Jeff left for that grand stage in the sky, Colin remains as one of the last Canadian Blues men. A man who has seen the best and the worst of a music world within a long and storied career. Colin James knows The Blues and with his 2019 Juno nominated album Miles To Go – he has come full circle. Finally gaining the recognition he deserves as a profound Blues artist.
Please listen below to my chat with Colin about the upcoming Junos, his thoughts on The Blues and hear some tracks from his Juno nominated album Miles To Go.
Canadian women going to Texas to play the Blues was not an everyday event …
The year was 1989 and Foley was planted deeply within the Austin Blues scene. It was a time for learning and because the (then) twenty – one year old Sue took her craft seriously, a quick assent took place.
Foley cut her ‘chops’ in the subsequent years and it all came into Canadian fruition in 2001 as Foley won a Juno Award for Best Blues Album. Love Comin’ Down cemented Foley’s place in Canadian music history.
Please listen below to my chat with Sue about her ‘time off’ from solo albums and her Juno nomination for Best Blues album in 2019 with her latest release – The Ice Queen
For the Western Canadian band The Sheepdogs – that is precisely what they are doing. And – doing it well.
When Rolling Stone magazine proclaims you as the band to watch out for, that is a lot of pressure. Judging from their performance at MTelus on a double bill with Montreal’s own The Damn Truth, the pressure appears to be in their favor. The crowd, the ultimate judges of success, was numerous and safe to say; satisfied customers on Saturday morning.
Following a powerful set from The Damn Truth, The Sheepdogs took the stage with pomp. The ceremony came after as the fans adjusted to the much different sound of the two bands on display. The Sheepdogs – much more grounded in Country and Pop to go with their Southern Rock n Roll. While The Damn Truth are in your face (take it or leave it), The Sheepdogs cater to the masses.
Who?, I’ve Got a Hole Where My Heart Should Be and Saturday Night started the twine rolling and from there on in – a simple matter of being strung along with good musicianship and catchy songwriting took precedent.
Ewan and Shamus Currie, Ryan Gullen and Sam Corbett are the men whose collaborations are grounded deeply in ‘roots’ music. Feel good tunes which are rich in traditional sounds. Bluegrass, Country, Folk and Blues. Easy going type stuff with an ingredient which is sorely missing these days in music. Storytelling. The Allman Brothers had it, CCR had it and so do The Sheepdogs. The knack for touching souls musically and lyrically. The knack of (figuratively) touching real people.
The set list is ripe with tales that add a connection to the fans (aka everybody). Human relations via words via truthful emotions. Relating to ‘stars’ on stages (and magazine covers) bridges the gap and increases bonds. Through songs such as Southern Dreaming, Kiss the Brass Ring, Up in Canada right until their mega hit encores – The Sheepdogs provide reliability. Meaningful thoughts build throughout and explode in a joyous singalong with the encore I Don’t Know. Good bands play – great bands let their fans ride a roller coaster live.
William Burton – Le Réveil
Regroupement artistique francophone de l’Alberta (RAFA) – Nouveau Monde
Le R Premier – Planète Urbaine
Buzz Fortin – Session Buzz Fortin
Étienne Fletcher – Chérie, Chéri (réalisation : little jack films et brandon white)
Jacobus – Ma vie c’est un movie (réalisation : STEREO Films)
Marie-Clo – Taudis (réalisation : Groupe Média TFO)
Rayannah – En attendant demain (réalisation : Rayannah)
Shawn Jobin – Éléphant (réalisation : Xavier MC / Vandales)
23. Présence web
Les Rats d’Swompe
24. Conception visuelle
Aya Gano et Jeff Homère pour LeFLOFRANCO – Retranscrire
Christian Pelletier pour Mclean – Une dernière fois
Christian Pelletier et Marc Étienne Mongrain pour Damien Robitaille – Univers Parallèles
Élodie Evanno et Gabrielle Dubois pour Moonfruits – Ste-Quequepart
Gaëtan Vëno Joachim pour YAO – Lapsus
25. Réalisation et arrangements
Loig Morin pour Loig Morin – La Rivière
Mario Lepage pour Shawn Jobin – Éléphant
Mark Howard pour Cindy Doire – Panorama
Olivier Fairfield pour Marie-Clo – Faune
Olivier Fairfield et Simon Jutras pour Mclean – Une dernière fois
26. Prise de son et mixage
Don Benedictson pour Ariane Mahrÿke Lemire – Je deviens le loup
Don Benedictson pour Suzanne Kennelly – Suzanne Kennelly Jazz
Frédéric Levac et Marc-Antoine Joly pour Céleste Lévis – Donne-moi le temps
Loig Morin pour Loig Morin – La Rivière
Sébastien Perry et Stéphane Rancourt pour Mclean – Une dernière fois
27. Émission musicale télé ou web
Balade – Machine Gum Productions
Balade à Toronto IV – Machine Gum Productions
FrancoMusique – Roch et Catherine Archambault
Session Buzz Fortin – Buzz Fortin
Suivez-moi – Sabine Daniel Productions
36 Mille – Mathilde Hountchégnon
Intello-Productions inc. – Yaovi Hoyi
JKB Communications – José Bertrand
LaFab Musique – Michel Bénac– Nathalie Kleinschmit
Centre Culturel Frontenac
Festival du Bois – Centre francophone de Maillardville
Festival Edmonton chante
Le Centre culturel francophone de Vancouver