Rick Keene Music Scene – Arcaydium; A Breath of Fresh Musical Montreal Air

To make it in this business – bands must have that ‘thing’. 

Any experienced DJ will tell you, all it takes is a three minute listen to separate the ‘men’ from ‘the boys’.

The ‘it’ in question is many times not explainable. A unique sound, voice or chemistry. It is basically magic. A wondrous thing found at Hogwarts.

Please listen below to my chat with Chris Petterson about his band Arcaydium.

Listen to Montreal’s new magic act! 

Chris? What’s up?

 

Visit Arcaydium Here !

 

Visit Smoke Meat Pete Here!

 

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Rick Keene Music Scene – Elizabeth Shepherd Loves Montreal on Her New Record

Once a Montrealer – always a Montrealer …

Elizabeth Shepherd is a traveler. Physically and spiritually. Searching for new within herself and within the world of music.

Her latest release brings her back to Montreal to discover things that were always under her nose. In the album Montreal – Shepherd brings the listener on a trip through her hometown.

Please listen below to my chat with Elizabeth.

 

Visit Elizabeth Right Here !

 

 

Visit Smoke Meat Pete Here!

 

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Rick Keene Music Scene – The Sheepdogs Take Montreal On a Ride

It is not easy ‘riding’ global accolades …

For the Western Canadian band The Sheepdogs – that is precisely what they are doing. And – doing it well.

When Rolling Stone magazine proclaims you as the band to watch out for, that is a lot of pressure. Judging from their performance at MTelus on a double bill with Montreal’s own The Damn Truth, the pressure appears to be in their favor. The crowd, the ultimate judges of success, was numerous and safe to say; satisfied customers on Saturday morning.

Following a powerful set from The Damn Truth, The Sheepdogs took the stage with pomp. The ceremony came after as the fans adjusted to the much different sound of the two bands on display. The Sheepdogs – much more grounded in Country and Pop to go with their Southern Rock n Roll. While The Damn Truth are in your face (take it or leave it), The Sheepdogs cater to the masses.

Who?, I’ve Got a Hole Where My Heart Should Be and Saturday Night started the twine rolling and from there on in – a simple matter of being strung along with good musicianship and catchy songwriting took precedent.

Ewan and Shamus Currie, Ryan Gullen and Sam Corbett are the men whose collaborations are grounded deeply in ‘roots’ music. Feel good tunes which are rich in traditional sounds. Bluegrass, Country, Folk and Blues. Easy going type stuff with an ingredient which is sorely missing these days in music. Storytelling. The Allman Brothers had it, CCR had it and so do The Sheepdogs. The knack for touching souls musically and lyrically. The knack of (figuratively) touching real people.

The set list is ripe with tales that add a connection to the fans (aka everybody). Human relations via words via truthful emotions. Relating to ‘stars’ on stages (and magazine covers) bridges the gap and increases bonds. Through songs such as Southern Dreaming, Kiss the Brass Ring, Up in Canada right until their mega hit encores – The Sheepdogs provide reliability. Meaningful thoughts build throughout and explode in a joyous singalong with the encore I Don’t Know. Good bands play – great bands let their fans ride a roller coaster live.

Tickets please …

Visit The Sheepdogs Here !

Visit Smoke Meat Pete Here!

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Rick Keene Music Scene – Top Ten Concerts of 2013

Obviously – I cannot be everywhere. If that were the case, my shoe bill would be sky high!

Seriously folks  –  it is difficult enough to choose ten shows as the best in Montreal during the course of a year. If I could be everywhere, the list would consist of the top one hundred. I would be deaf and broke. Thankfully, I am not deaf. Realistically – I am broke. One out of two ain’t bad ( What’s that? Sorry you have to speak up).

Experiencing  shows in Montreal is an experience unlike anywhere else. Every musician I speak to – from Jerry Mercer of April Wine to Holly Cole does admit; there are no crowds in the world like Montreal. Savvy, emotional and passionate. Three adjectives ripe in truth. For these reasons – artists are quickly reminded if and when, their shows are good, great or soaring into other atmospheres.

Montreal – the perfect odometer for the racing pulse of visiting and local musicians.

The Jazz Festival. The best in the world, brought some fantastic acts this past summer season. Xavier Rudd, Holly Cole, Mo Kenney, Lyle Lovett and Chris Isaak, Molly Ringwald and Dr. John to name very few. A pure delight for the music fan – rain or shine ( please visit the archive section for a recap of the Jazz Festival).

Without further ramblings ( or shoes) – here is my Top Ten List of the 2013 concerts of which I attended. Agree to disagree or agree. One thing is certain, every musician deserves to be on the list …

10. Micheal Kaeshammer 

One of the most talented pianists this country boasts. German – born, Canadian-raised ( half his life), Kaeshammer delivered an old school lesson in Boogie Woogie, Jazz and Zydecho-based Blues and Rock n Roll. Kaeshammer was in Montreal on November 1st at L’Astral promoting his latest disc; ‘Tell You How I Feel’ ( a homage to Alain Toussaint). Michael awed the crowd with his non-stop banter, piano playing and (mostly) hard driving tunes. The type of show, no one wanted to end. In fact – Kaeshammer played beyond his time limit and came back again and again.

9. Steve Earle

The one man who can give Keith Richards a run for his millions in the bad boy category. A survivor of drug addiction, alcoholism and jail time – Earle brought his act to Montreal at the Corona Theater on August 9th.

He was in town promoting his 15th studio album; ‘ The Low Highway’. Steve Earle & the Dukes (& Duchesses), the best band Earle ever had ( according to Earle), brought a high caliber – all music show to Montreal.

Most artists, young and old get caught up in self-importance and either banter too much or indulge in the ‘greatness’ of their music. Not Earle. His show is strictly business. Not show business. A treat to hear songs such as ‘Guitar Town’ and ‘ Copperhead Road’ live. A treat to hear the man along with  husband and wife multi-instrumentalists Chris Masterson and Eleanor Whitmore and the rhythm section of  Kelley Looney and Will Rigby, tear the venue apart with truisms both lyrically and musically.

8. Lee Rocker

The former ( current?) Stray Cat double Bass player was here on Aug.29th to open up the 9th annual Red Hot and Blue Rockabilly Festival at The Rialto Theater.

Rocker performed songs from his new disc; Night Train to Memphis along with classic Stray Cat tunes and classic tunes period. The hardest working double bass player in North America delivered ‘Rumble in Brighton Tonight’, ‘Stray Cat Strut’, ‘Night Train to Memphis’ and ‘Rockabilly Boogie’ the way Carl Perkins and Scotty Moore would have.

Combining Country, Rock and the hard driving sounds of guitarist Buzz Campbell, guitarist/slide player Brophy Dale and  drummer Jimmy Sage, Rocker delivered an excellent blend of showmanship and a hard-earned, natural talent for his instrument. Once the show started – everyone danced. And danced … and danced…

7. The Damn Truth

Montreal’s own band-on-the-rise, played a few times in the city. The throwback sound of the glory days of Rock from the early seventies – along with the incredible vocals of Lee La Baum, set and continues to set Montreal on fire.

Songs such as ‘ Montreal’, ‘Kinda Awkward’ and ‘ I Want You ( He’s a Lightweight) – showcasing Tom Shemmer’s ‘ guitar work, Dave Traina’s primal drums and David Masse’s complimentary bass. In concert – Lee La, Tom and Masse never stand still enough to get a good picture.

Combine Led Zeppelin, The Kinks and Janis Joplin – the sum of all parts equals The Damn Truth. The Damn Future of Rock in Montreal …! Arcade who …?

6. Heart

Ann and Nancy Wilson – arrived in Montreal on the 25th of March at Le Centre Bell. Two of the pioneers of women in rock …

Given the fact the ladies have not really had a hit for decades – plus the fact they are closing in on collecting pensions, it was easy to enter the arena poised with cynicism. Well – nobody told the Wilson sisters!

Ann’s voice on ‘Alone’ – alone, made the entire night special.

Singing like the year was 1977 – Ann delivered the Heart songbook impeccably. Combined with Nancy’s vocals and experienced guitar playing; hits like ‘Magic Man’, ‘Dreamboat Annie’, ‘Barracuda’ and ‘Crazy on You’ brought several standing ovations to the crowd. With lead guitarist Craig Bartock,  keyboard player Debbie Shair, bassist Kristian Attard, and drummer Ben Smith along for the ride – the Wilson’s delivered at times, a rock n roll show circa 1978. Including covers of Led Zeppelin and The Who’s ‘ Love Reign O’er Me ( with Pete Townshend’s brother Simon), no doubt the world has not heard the end of Heart’s heart …

5.The Specials

Performing as part of The Montreal International Jazz Festival – the English band made everyone stand up and take notice at Metropolis. They were special …

The British ska legends, formed in 1977 – performed for the first time in Montreal following a thirty year absence. That abyss made the heart grow fonder for fans and the Festival walk-ins. Staples such as  ‘Do the Dog’,  ‘A Message To You, Rudy’, ‘Little Bitch, ‘Ghost Town’, ‘Concrete Jungle,’ ‘Rat Race’ and ‘Too Much Too Young’ – amazed the senses.

A glance around the club was truly an inspiring sight. Fever-pitched dancing was addictive. Partly because of the music and partly because of the band members themselves. Rarely does an entire band dance around the stage and rarely do men their age have that type of energy. The group made everyone realize what music is about.

Smiling and dancing. Two ingredients that made at least one evening at The Jazz festival – very special …

4. The Rolling Stones

The bad boys of Rock n Roll played in Montreal at The Bell Center on June 9th. They rolled into town as part of their Fifty and Counting Tour.The question on everyone’s mind? Do Mick, Keef, Charlie and Ronnie ( Darryl Jones) still have it?

A conundrum this greatest Rock n Roll band in the world. Judged against past tours, past hits, past bad behavior and (for the first time in their history) over-the-top ticket prices. Somewhere – among all this, is a band performing on stage. Four guys who have written the book on ‘How to Be  Rockstars’.

Ask someone who is not over fifty, question the early twenties contingent who have just seen a Stones’ show for the very first time; ‘How was the show?’ This is where the only real answer arrives to get a take on The Stones circa 2013. A non judgmental musicologist who just wants to party, move their feet and listen to tunes while under the influence of God-knows-what …

Ironically like the over sixty crowd did when they saw the band in the sixties. Or – the over fifty people who saw them in the seventies. The plus forty group who saw them in the eighties. Get my point?

The Stones were never technically sound even at their peak. One night in 1962 – 69, ’72, ’75, ’78, ’81’, ’89’, ’94, ’97, 2002 and ’06 – they were the worst sounding band heard this side of Tiny Tim. On the same tours – the greatest ever heard on a selected and presumably sober ( non sober) night. That is the beauty of Rock n Roll. That is the beauty of The Rolling Stones.

On June 9th, ‘Jumpin’ Jack Flash’, ‘Sympathy for the Devil’, ‘You Can’t Always Get What You Want’, ‘Satisfaction’ and twenty-odd more classic songs were performed by men who are the royalty of Rock. Was it the best show they have put on? No. Was it the worst performance of their ‘long and winding’ careers? No.  It was Rock n Roll delivered by legends. Pirates. Pioneers. Saints and sinners. Men who have forgotten more than David Grohl will ever learn. Richards may be having difficulty playing with his arthritic – laced fingers ( knobs), yet Mick, Ronnie and Charlie amaze with their ability to play and perform like the young Rock n Roll rebels they once were. Former guitarist Mick Taylor appeared on Midnight Rambler to remind everyone of possibly the greatest Blues-based Rock n Roll song the world will ever know.

and we like it, like it … yes we do …!

3. The Eagles

Do you know the History of The Eagles? Sit down and have a listen …

That is what happened on the 4th of November at Le Centre Bell. People sat and they listened to the soundtrack of the seventies – Country / Rock style.

As with Heart – when a group or solo artist disappears from the top one hundred, it is easy to dismiss their legacies and skills with reminders of their not-so-good stuff which appeared to be the reason they left; exit stage left. Out of nowhere, they return and as was the case of The Eagles – the songs and the talent astound the masses and create new fans.

With former member Bernie Leadon  joining Don Henley and Glenn Frey in an acoustic trio to start and Joe Walsh completing ‘the circle’ later on – the 14,400 Bell Center show really did go ‘full circle’.  First the songs. ‘Desperado’, ‘Hotel California’, ‘One of These Nights’, ‘The Long Run’ …etc etc. Performed with the vinyl perfection of the records which made women croon and men get in touch with their feminine sides they never knew they had.

Wistfulness embraced the Bell Center in November. A sing-a-long to end all sing-a-longs. As each song was introduced; lights went on in people’s eyes. Beams of remembrance. Beacons of times gone by and moments lost. The Eagles’ story contains many ballads and just when that legacy risked placing the crowd into ‘Bedtime for Bonzo’ mode – Joe Walsh saved the day.

‘Life’s Been Good’ for Walsh and he injected much needed life into the second half. ‘Rocky Mountain Way’ – played by Walsh by Walsh circa 1977.  The man is a Rock n Roll guitarist and will always be that rebel. A treat to witness him, Frey, Henley et al.

A treat to re- read The History of the Eagles …

2. Styx

What is with these bands everyone thought were dead? In the case of Styx – arguably, dead in the water until Gowan joined in 1999.

There is a reason why Styx are one of the most consistent and money – making acts on tour in North America for the past three decades. The show. It’s all about the show combined with a catalog unmatched by many. ‘Grand Illusion’, ‘Lady’, ‘Come Sail Away’, ‘Sweet Madame Blue’. Three tunes which provide so much energy. A trio of songs when added to Gowan’s own ‘Criminal Mind’ and ‘Strange Animal’; a five-some of classic rock done by pioneers of prog rock – North America style.

The Olympia show on the 17th November was not about the songs or Tommy Shaw and James Young. It was about the atmosphere and anticipation felt in the sold-out show. It was the type of feeling that once upon a time engulfed this city before a show at The  Montreal Forum, Le Moustache or the old Maples Inn. An electricity filled the air. Enough wattage to power Young and Shaw’s guitars.

Gowan, the ever -theatrical Gowan, more than replacing Dennis DeYoung in the band with his contagious energy. Enveloping the crowd with his own personal stamp of approval. Sure the band no longer writes any hits. Sure the band delivers straight, hard-edged rock and synthesizer sounds straight from the hair days of the eighties. Sure the band delivers tunes as sickening ( for Rock purists) as ‘Too Much Time on My Hands’. For the money – Styx put on a ‘Rock Show’ that McCartney and Wings would be proud of …

Styx continue to be ‘Renegades’ …

1. Bonnie Raitt

Raitt appeared at Theatre St. Denis on the 14th of November. Everyone in attendance will remember that date as if it were the 14th of February. A love -affair …

Performing classics such as ‘I Can’t Make You Love Me’, ‘Something to Talk About’, ‘Angel from Montgomery’ and ‘Love Sneakin’ Up on You’ – Ms. Raitt demonstrated the classiness, the sexiness and the rawness of Blues the way Blues should be played. In town – on the heals of her 2012 album ‘Slipstream’, a disc which won Best Americana Album – Raitt along with guitarist George Marinelli and organ and keyboard player Mike Finnegan, set the tone for a a show. 

Keyboardist Mike Finnigan got the spotlight for a blues vocal on “I Got News for You’ and may possibly be the best in the business at doing what he does. Jaw-dropping as was opening act Marc Cohn’s duet with Raitt in the encore. The pair delivering Van Morrison’s soulful ‘Crazy Love’. Cohn set the mood ( and the bar ) high as the opener. In his set, Mr. Cohn exchanged pianos and guitars  as he sang  Dylan’s ‘Perfect Love’,  Ray Charles’ ’29 Ways’ and paid homage to the late great Band singer Levon Helm on the moving “Listening to Levon.”

Raiit is at the point in her life ( sixty – four) where she does not need to impress anyone. This comes across in her behavior. No nervousness. No pretentiousness. Just a gal singing and playing at the top of her game to songs such as ‘Thing Called Love’, ‘Million Miles’ and ‘Dimming of the Day’. Nobody plays slide guitar like Raitt or as effortlessly.

For Raitt, a survivor and pioneer among women Blues singers – it’s all about the jam. She has played with everyone who was and is everyone in the Blues scene. Hooker, Buddy Guy, Taj Mahal, Clapton, the Stones. Following a career going on forty -two years, it is easy to see Raitt is a student intent on giving to the fans what some legendary artists have given to her …

Honorable mentions

 Tedeschi Trucks Band

Rod Stewart

Buddy Guy

John Scofield Trio

Jill Barber

The Cat Empire

Lyle Lovett / Chris Isaak

Gino Vannelli

Grace Potter and The Nocturnals

Joe Louis Walker

April Wine

Bettye Lavette

Terez Montcalm

Thanks to all the musicians both local and afar.