Canadian women going to Texas to play the Blues was not an everyday event …
The year was 1989 and Foley was planted deeply within the Austin Blues scene. It was a time for learning and because the (then) twenty – one year old Sue took her craft seriously, a quick assent took place.
Foley cut her ‘chops’ in the subsequent years and it all came into Canadian fruition in 2001 as Foley won a Juno Award for Best Blues Album. Love Comin’ Down cemented Foley’s place in Canadian music history.
Please listen below to my chat with Sue about her ‘time off’ from solo albums and her Juno nomination for Best Blues album in 2019 with her latest release – The Ice Queen
For the Western Canadian band The Sheepdogs – that is precisely what they are doing. And – doing it well.
When Rolling Stone magazine proclaims you as the band to watch out for, that is a lot of pressure. Judging from their performance at MTelus on a double bill with Montreal’s own The Damn Truth, the pressure appears to be in their favor. The crowd, the ultimate judges of success, was numerous and safe to say; satisfied customers on Saturday morning.
Following a powerful set from The Damn Truth, The Sheepdogs took the stage with pomp. The ceremony came after as the fans adjusted to the much different sound of the two bands on display. The Sheepdogs – much more grounded in Country and Pop to go with their Southern Rock n Roll. While The Damn Truth are in your face (take it or leave it), The Sheepdogs cater to the masses.
Who?, I’ve Got a Hole Where My Heart Should Be and Saturday Night started the twine rolling and from there on in – a simple matter of being strung along with good musicianship and catchy songwriting took precedent.
Ewan and Shamus Currie, Ryan Gullen and Sam Corbett are the men whose collaborations are grounded deeply in ‘roots’ music. Feel good tunes which are rich in traditional sounds. Bluegrass, Country, Folk and Blues. Easy going type stuff with an ingredient which is sorely missing these days in music. Storytelling. The Allman Brothers had it, CCR had it and so do The Sheepdogs. The knack for touching souls musically and lyrically. The knack of (figuratively) touching real people.
The set list is ripe with tales that add a connection to the fans (aka everybody). Human relations via words via truthful emotions. Relating to ‘stars’ on stages (and magazine covers) bridges the gap and increases bonds. Through songs such as Southern Dreaming, Kiss the Brass Ring, Up in Canada right until their mega hit encores – The Sheepdogs provide reliability. Meaningful thoughts build throughout and explode in a joyous singalong with the encore I Don’t Know. Good bands play – great bands let their fans ride a roller coaster live.
William Burton – Le Réveil
Regroupement artistique francophone de l’Alberta (RAFA) – Nouveau Monde
Le R Premier – Planète Urbaine
Buzz Fortin – Session Buzz Fortin
Étienne Fletcher – Chérie, Chéri (réalisation : little jack films et brandon white)
Jacobus – Ma vie c’est un movie (réalisation : STEREO Films)
Marie-Clo – Taudis (réalisation : Groupe Média TFO)
Rayannah – En attendant demain (réalisation : Rayannah)
Shawn Jobin – Éléphant (réalisation : Xavier MC / Vandales)
23. Présence web
Les Rats d’Swompe
24. Conception visuelle
Aya Gano et Jeff Homère pour LeFLOFRANCO – Retranscrire
Christian Pelletier pour Mclean – Une dernière fois
Christian Pelletier et Marc Étienne Mongrain pour Damien Robitaille – Univers Parallèles
Élodie Evanno et Gabrielle Dubois pour Moonfruits – Ste-Quequepart
Gaëtan Vëno Joachim pour YAO – Lapsus
25. Réalisation et arrangements
Loig Morin pour Loig Morin – La Rivière
Mario Lepage pour Shawn Jobin – Éléphant
Mark Howard pour Cindy Doire – Panorama
Olivier Fairfield pour Marie-Clo – Faune
Olivier Fairfield et Simon Jutras pour Mclean – Une dernière fois
26. Prise de son et mixage
Don Benedictson pour Ariane Mahrÿke Lemire – Je deviens le loup
Don Benedictson pour Suzanne Kennelly – Suzanne Kennelly Jazz
Frédéric Levac et Marc-Antoine Joly pour Céleste Lévis – Donne-moi le temps
Loig Morin pour Loig Morin – La Rivière
Sébastien Perry et Stéphane Rancourt pour Mclean – Une dernière fois
27. Émission musicale télé ou web
Balade – Machine Gum Productions
Balade à Toronto IV – Machine Gum Productions
FrancoMusique – Roch et Catherine Archambault
Session Buzz Fortin – Buzz Fortin
Suivez-moi – Sabine Daniel Productions
36 Mille – Mathilde Hountchégnon
Intello-Productions inc. – Yaovi Hoyi
JKB Communications – José Bertrand
LaFab Musique – Michel Bénac– Nathalie Kleinschmit
Centre Culturel Frontenac
Festival du Bois – Centre francophone de Maillardville
Festival Edmonton chante
Le Centre culturel francophone de Vancouver
Enzo Carniel House of Echo / Florian Pellissier Quintet invite Roger Raspail / Bibi Tanga & The Selenites
L’Astral (Maison du Festival)
JAZZ ALL-YEAR ROUND
January 10th Taurey Butler Trio at 7pm.
People often comment on Taurey Butler’s resemblance to the young Oscar Peterson, in appearance as well as his winning combination of hard swing and melodic invention. Gratifying as it may be, he backs away from the compliment. There’s only one Oscar, he says. But there is no question that the one Oscar Peterson had a profound effect on Taurey’s life and his music.
Snooky was born in Norfolk, Virginia and raised in a small city called Woonsocket in Rhode Island. At the early age of 6, he began humming and singing songs to his mother while keeping the drumming beat going with his mouth. Even then, at that young age, music was in his bones. So, his journey began into the wonderful world of drumming. Upon arrival in Montreal, Quebec, he met an extremely talented and well known performer by the name of Freddy James. He later became his drummer and back-up vocalist in his dance R&B band, known as Fusion 3. For the next 6 to 7 years, they toured Japan, Africa, USA and Canada.
When the Freddy James era was over, he continued to successfully perform in night clubs, gospel choirs, and worked with other great musicians in studios. By the spring of 2010 he stayed in Montreal to work and finish writing another CD. He started playing regularly at the House of Jazz with Geraldine Hunt: His quartet,Snooksta and The Gangstas – became one of the headliners at the House of Jazz.