Brian Greenway joined April Wine during the summer of 1977. Right before the band reached enormous success internationally. The album Nature of The Beast put the band into places they had never been before, although before was nothing to sneeze at.
The new guy – Greenway is still touring with April Wine as they celebrate their 50th Anniversary . Not bad for the second longest member of April Wine and a forklift driver?
Please listen below to my chat with Brian. Hear April Wine tales and information about Rock for Dimes
Leaving Montreal as a youngster for New York displayed his courage. Putting out an album in 2015 with perhaps his best complete track listing shows his resolve. Being inducted into The Canadian Music Hall of Fame – shows the timelessness of his songwriting ability.
Please listen below to my chat with Andy Kim as we discuss the 50th Anniversary of Sugar, Sugar – his induction and his Christmas Show on December 13th.
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Twelve months have come and gone quicker than a man / woman looking for a one night stand. That’s what happens when music is in the air and in your soul.
Let’s take a look back shall we? Let us revisit the musical past of 2018.
Big Wreck celebrated twenty years as a band with a bang on show at The Corona. The loyal fans were not disappointed by the raw Rock / Alternative. /Grunge tunes spun by lead singer and principal songwriter Ian Thornley.
Canadian Country Star Tim Hickswas in town with a new album and injecting some much needed exposure of Country music to Quebec. The Country scene in this province is kinda underground yet Hicks brought the fans from behind their barns and into the spotlight.
Former Genesis guitar man Steve Hackett was in town in what appears as almost an annual event. The love affair between Hackett / Genesis and this province has never been more amorous as Hackett et al performed the Genesis catalog along with his solo stuff.
Kim Churchill, aka the man from Down Under, has more talent in his finger than the majority of ‘your top forty’ radio stars. Kim was in town promoting his new album and it was the second time in three years Kim was touring Quebec. The provincial love affair is nearing Steve Hackett territory.
Devon Cuddy(son of Jim) and his Devon Cuddy Band were in Montreal promoting their new EP. Devin is a chip of the old ‘Rodeo’ and just may surpass Dad in success due to his songwriting and piano playing (without the help of Greg Keelor).
Pianist Mike Jones released a magical album with a magician. Jones – happens to be the piano player for Las Vegas act Penn and Teller. Jones convinced Penn to record an album. Jones took four hours of his time to speak of the album, his favorite piano players (of all time) and Jazz in general. One of the most informative chats I have been privy to.
Montrealer Sule Heitnerreleased an album and took some time to chat about it. Sule is one of the most talented guitar players playing in Montreal and his smooth voice and songwriting are a tip of the hat to old school R & B.
Eastern town-shipper and Blues veteran Mike Goudreau released an album of alternative takes. Songs that were there (but not really) all rolled into a pure Blues (and fun album). Goudreau also spoke of his success selling music to Hollywood.
Model / actress/ songwriter / singer Carla Bruni was at L’Olympia sporting her new album. Mick Jagger’s former squeeze and former first lady of France put on a bilingual show complete with a cover of Jagger / Richards’ Miss You. Serenity ruled with often humorous banter from this talented lady.
The most talented and adventurous student of The Blues in Quebec – Jordan Officer released an album entitled Three Rivers. Adding fiddle to his arsenal – Officer’s foray into his first love (The Blues) continues it’s assent to the highest peaks.
Inspired by the #MeToo movement – Rosie and The Riveters released an album to empower women and to also tell some sordid stories of their own. This Western Canadian – based trio make toes tap and hearts sing with pure music. A lot of tongue-in- cheek humor gets the message across also.
Montreal writer and author Kristian Gravenor has unearthed quite a few tales of the Montreal music scene in his book; Montreal 375 Tales of Eating, Drinking, Living and Loving.
On any given evening, a music lover could walk downtown Montreal and visit numerous clubs. All of them hosting bands and / or DJs. You wanted Jazz? No problem. Rock n Roll? Check out Kristian’s labor of love.
Canadian legend Kim Mitchellwas in Quebec city because he is Kim Mitchell. Kim took some time to chat before his show and what a show it was. Timeless tunes and Canadian wit ruled the night with a soda in hand …
Bluesman Jack Broadbent was in town at L’Astral strutting his acoustic stuff. Very few men or woman take the time to understand and learn to play The Blues with conviction and place the likes of Robert Johnson in their pockets. Broadbent is the next generation of Blues-men who do it for the right reasons.
Canadian Music Hall of Fame member and front-man for April Wine Myles Goodwyn, released a solo album filled with the Blues and special guests. Myles proved that his first love in music will give him ‘miles’ to go in his career after (if) April Wine calls it a day. A two part chat revealed much about the man who remains an enigma to many.
Former Bostonian-turned-Montrealer-turned-New York-er Emma Frank released an album which may be one of the best of 2018. Ocean Av is the name and songwriting is Emma’s game. The album helped return Emma to Montreal as part of The Montreal International Jazz Festival.
Stay tuned for Part Two of 2018 In Review !
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Retired Montreal DJ, promoter and all round music guru Sheldon Kaganhas written a book detailing all his memories from a musical life unmatched. Whether it is an unsavory meeting with Miles Davis or an ‘almost superstar concert’ quashed by an unexpected death – Sheldon delivers a life story which every music lover must read.
Music does not need to be a ticketed item. A musician does not need to be a global star to warrant accolades. Montrealer Steve Creepis the hardest working musician in Montreal. His acoustics and band sets take place seven nights a week in places such as Brutopia and various McKibbons outlets (among others). Very few musicians have such a vast knowledge and repertoire of all genres. Steve is so good – former Montreal Canadien Tomas Plekanec sought Steve out following many Canadiens’ home games. Buy a beer or two, have a meal and support Mr. Creep.
On January 26th for seven days you will cruise through locations including Nassau, The Bahamas, Cozumel and Costa Maya, Mexico, and Key West, Florida.
The line-up on this cruise is a joint effort of Blue Note president Don Was and Blue Note Jazz Clubs president Steven Bensusan. Joining Kosins on the bill is Marcus Miller, Robert Glasper, David Sanborn, Cécile McLorin Salvant, Logan Richardson, Luques Curtis, Wynton Marsalis, Kurt Elling, José James, Christian Scott, Terence Blanchard, Jason Moran, Kandace Springs, Wycliffe Gordon, Eric Marienthal, Ben Williams, Taylor McFerrin, Terrace Martin, Derrick Hodge, Geoffrey Keezer, and many more! There will be various venues of different size, with main shows played twice nightly in the ship’s largest venue.
Grammy-winning Southern rockers The Kentucky Headhunters are back on Alligator with Live At The Ramblin’ Man Fair, a raucous live album recorded in front of 25,000 screaming fans at the UK’s famed rock festival. In addition to the full live set, the album features three bonus studio tracks from the legendary Meet Me In Bluesland sessions featuring the late Johnnie Johnson, known for his seminal piano work on Chuck Berry’s most influential and famous songs.
Live At The Ramblin’ Man Fair features an adrenaline-fueled set list with the Headhunters at the top of their game at their first-ever UK performance. Mixing six high-energy originals, searing blues rockers and a thunderous take on The Beatles’ Don’t Let Me Down, the Headhunters have never sounded more intense and fun.
Closing out the album are three recently discovered tracks featuring Rock &’ Roll Hall of Famer Johnnie Johnson on piano with the band, boldly underscoring the Kentucky Headhunters’ deep blues chops and Johnnie’s mastery of rockin’ piano.
Not only is Jess Canadian, she is also the heir to Shania Twain’s Country throne. Jess has won most Country awards lately and she treks into Christmas territory with an album filled with her favorites growing up. As roots as a Christmas album will get.
Not only is David Myles one of the best vocalists and songwriters in Canada – he also owns one of the largest hearts. Every year David puts on Christmas shows in malls in Nova Scotia and raises money for the less fortunate. Backed by his excellent album; It’s Christmas, a must see show and a must buy album.
In the big scheme of things, very few people saw Genesis live in their orginal formation.
Before fans knew it – Peter Gabriel was gone and shortly after, Steve Hackett followed. Fans of the original material who missed out on the theatrics and brilliant musicianship of the original line -up live were out of luck.
Out of luck until the Quebec – formed Musical Boxtook matters into their own hands and recreated the early years with precision. The Musical Box are the only Genesis Tribute band to be supported by the members of Genesis themselves.
They are that good.
Following twenty five years as the top Genesis tribute act – the members have decided to change things up a bit. An extravaganza is on the way …
Please listen below to my chat with the musical director and the ‘Mike Rutherford’ of The Musical Box, Sebastien Lamothe.
Canadian Walk of Fame and Canadian Music Hall of Fame member Andy Kim has many friends in the music business. Many of whom hold Andy in such high esteem – they will follow him anywhere.
Saturday night at The Corona Theater, some of those friends arrived in Montreal to participate in the fifth annual Andy Kim Christmas. A musical event which raises money for The Starlight Children’s Foundation. Broken Social Scene, La Force and Ron Sexsmith made the train trip from Toronto and joined some very talented Quebecers.
Marie – Mai, Coeur de Pirate, Hanorah, Brad Barr and Jake Clemons (the nephew of Clarence Clemons and a current resident of Montreal) welcomed Andy et al with Christmas bells on their toes. The scene was set for a night of giving.
Toronto comic Sean Cullen led the way with brilliant comedy aimed at Montreal from a Torontarian-point-of-view. Cullen, disregarding the MeToo movement (and pretty much all taboo subjects) exchanging barbs and wit with local emcee – CJAD’s Aaron Rand. The pauses between tunes; as unique as the tunes themselves.
In between Andy Kim singing his songs Rainbow Ride, Rock Me Gently and Sugar Sugar – the ‘stars’ of the show donated Folk, Country, Pop, Blues and Rock n Roll. There was something for everyone from the toe-tapping in-your-face Clemons’ Saxophone to La Force’s balladry. From Barr’s profound lyrical social conscience to Marie-Mai’s soulful Blues.
Concerts and music shows usually draw an audience of critics. Scribes ready at the drop of a hat to praise or destroy a performance. The Andy Kim Christmas Show somehow manages to remove all pens and all harshness. The spirit of the season and the generosity of the artists transcend reality. Music is performed and accepted the way it should be.
The Andy Kim Christmas show in Montreal even managed to draw Elvis to the building. The presence of the non-intentional (and vocal) look-a-like in the audience, adding magic to an already magical night. Cullen and Rand – taking the opportunity to include Elvis in their jabs every chance they had.
Canadian music is alive and well. Only a few of them were on a stage Saturday night that in the past has drawn artists such as Pagliaro, Roch Voisine and Sam Roberts. The Andy Kim Christmas Show is growing every year and attracting an array of diverse musical talent.
Who will be here next year? Andy Kim and whoever else decides to join him and pay it forward.
Easy. A blend of Miles Davis, Herbie Hancock, Genesis, Yes, Rush, The Ramones, The Kinks, the Beatles and every artist between 1920 until present day.
Frank Zappa’s brilliance as a writer, producer, arranger, guitar player and every other position within an intellectual realm artistically and socially was put on display via Dweezil Zappa in Laval last night. Epic could be the best way to describe the evening.
The Purple Lagoon, Andy and Don’t You Want a Man Like Me opened things up along with the punter’s minds who were not far behind in realizing music exists beyond corporate radio. The name of this tour is Choice Cuts.An insight into the non commercial world of Frank Zappa. Given Frank’s songs were mostly non radio friendly, choosing ‘choice’ tracks should be easy.
Think again …
Firstly – Dweezil’s Muthas are not your Father’s band. When each player within a band could headline on their own – something special is on the way. Dweezil himself – one of the finest guitar players ‘off the beaten path’ and an astute songwriter to boot. Detach the Zappa moniker and all it’s expectations – Dweezil could very well be in the same breath as Vai, Satriano et al. in the mainstream conscientiousness. Frank probably would want it this way and ensure the Zappa legacy maintains musical integrity.
As the show moved along – perhaps the ladies initially stole the show. Vocalist Cian Coey and multi – instrumentalist Scheila Gonzalez were on fire. Frank Zappa’s tunes contained whimsical female voices along with serious style. Both Scheila and Cian added their parts with conviction. Cian alone – stealing the spotlight throughout the evening with power, finesse and grace. An indication the ‘top forty’ radio female vocalists are nowhere near the best. Scheila no slouch either as her vocals more than impressed and her Sax playing otherworldly. Frank would be proud.
Call Any Vegetable, Tell Me You Love Me and T’Mershi Duween. Three more tunes which only the die hard Frank fans know aside from the band.
Drummer Ryan Brown, bassist Kurt Morgan, Chris Norton on keys and guitarist / vocalist Adam Minkoff were on the same bus. Travelling the Zappa songbook at light-speed. Shining alone when called upon and perfectly in sync with grooves as sweet as the most perfect five hour Funk jam. The completeness allowing Dweezil to do his thang.
Steve Vai was one of Dweezil’s teachers back in the day. Frank Zappa was one of Dweezil’s muses. Dweezil has worked with every guitar player worth their weight in gold. Nothing could go wrong within a solo and Dweezil’s own curiosity to grow as an artist – adds to the special moments when Dweezil takes the spotlight.
Suzy Creamcheese, Valley Girl, Zoot Allures, Don’t Eat the Yellow Snow and Joe’s Garage – the show and the intensity continued.
Serious musicians playing serious licks. Only the students of music can understand and appreciate Dweezil’s (The Muthas) take on his Father’s songs. Only serious students of music can appreciate Frank Zappa and his genius.
Some bands fall through the cracks as far as recognition goes. Stiff Little Fingers are one of those bands.
Born at the height of Punk music’s global popularity, the band emerged from a Country that was not known for Rock music.
‘I have no doubt there were many talented musicians and songwriters in Ireland …” Says original and current member and songwriter Jake Burns. ” Due to the fear factor of losing jobs (that were few and far between) and the non acceptance of Northern Ireland musicians due to the political unrest in Ireland, sadly many chose or were forced to stay put.”
Stiff Little Fingers, a group of schoolboy friends formed in 1977. A time when groups such as The Ramones and The Sex Pistols were gaining momentum. It was another band however which many comparisons were made.
“Everyone kept telling us we sounded like The Clash and we were asked if they were a huge influence.” Says Burns on the eve of their November 10th show in Montreal. “We never really spoke with the guys from The Clash and wondered if they took us as a threat or admired us.”
Four albums in three years starting in 1979 saw the band emerge as a voice of unrest for not only the people of Ireland – the entire world. Punk music and Stiff Little Fingers were affecting fans and non fans alike.
“When I started writing songs, I had a little difficulty coming up with ideas and they were forced’ Says Burns. ” I spoke with someone and once I realized it is important to write what you know – that is when things changed for me as a songwriter and the band.
Stiff Little Fingers then suffered the same fate as many bands. Knowing each other for so long and being on the road and always together, the fighting started.
” All these years later, in hindsight – all we needed to do was to take a step back and we would have been fine …” Admits Jake. ” It was not about dislike, it was about the stress of the business and a lot of pressure to maintain a band.”
In 1987, following a hiatus and Jake partaking in a solo effort and collaborations, Stiff Little Fingers reunited and despite the words of the music business; The Fingers embarked on what would become a very successful tour in Germany to sold out crowds. Burns and the band have never looked back.
Since their reformation, Stiff Little Fingers have released six albums with the last being the critically acclaimed 2014’s ‘No Going Back’.
Jake Burns still follows the recipe of writing what he knows for success.
” I went through some major life changes such as a divorce and relocation to a different continent and I did not think anyone would want to listen to a middle age guy sing about a mid-life crisis and divorce. Luckily I was wrong …”
Stiff Little Fingers are in Montreal Saturday night November 10th at Foufounes Electriques.
Frank Zappa’s son Dweezil, is a chip off the old block even though it is not sought out. Call it instinct, call it learned behavior or call it genetic – the artistic blood does circulate and will eventually come out in layered colors.
Please listen below to Part One of my chat with Dweezil Zappa. Topics include his Dad, his guitar playing and many other interesting tidbits. Stay tuned for Part Two.
The Blues are steeped in tradition of making deals with the Devil at the crossroads. Bad in the Blues is a good thing.
Justin Saladino and his band were the baddest thing on stage Tuesday night as they competed and won The Quebec to Memphis Blues Challenge. The next step? Conquering the biggest Blues stage in the world.
Please listen belowto my chat with Justin about the win and his steadfast work ethic to be better all the time.
Five bands have been chosen as the finalists in 2018. Five different sounds all within the confines of the Blues formula. Different but with the very familiar sound which propelled the legends of Rock n Roll to super-stardom.
Have a listen below to five songs from five artists. Can you choose a winner?
It don’t mean a thing if it ain’t got that swing …
Black Mountain Whiskey Rebellion are poised to take North America by storm. Much like the English re-introducing The Blues back to the States, BMWR are re-introducing the Muscle Shoals sound back to musicians.
With only one single officially released, the band has already made Rolling Stone magazine’s ‘best bands to lookout for’ in 2018. The song Holy Smoke is a tongue in cheek look at the hypocrisy of religion without taking literary licence.
Please listen below to my chat with Mitch and hear the Montreal debut of Black Mountain Whiskey Rebellion’s first single;Holy Smoke.
George Thorogood may drink alone but he certainly doesn’t put on a show alone.
On Thursday night, George was in the Province of Quebec for the second time this summer. In July, he received the B.B. King Award as part of the lineup of The Montreal International Jazz Festival. This time– Trois Rivieres en Blues were the hosts and the difference between the two performances was apparent.
George Thorogood and his band; The Destroyers – are fit more for an outdoor venue then the safe confines of Place des Arts. No disrespect to George or the band yet face it, Rock n Roll is dangerous and a stadium / amphitheater breeds danger.
There is something in the air when that air is at the mercy of Mother Nature. At any given moment the wind could change and the rain could enter a roofed venue sideways. Music is the same thing when it is played live properly.
In Montreal – the show was safe. George et al played that way. Comfy, cozy and familiar. Way too familiar for a ‘Rock Party’. Having sex evolved into making love. Condoms replaced drunken tomfoolery. Condoms replaced the very essence of Rock n Roll.
In Trois Rivieres – every song ran with scissors. Every note in ‘Move It On Over’ and ‘Bad to the Bone’ teetered on the same sloppiness which The Rolling Stones own. Swaggering attitude and swaggering chords complimented Thorogood’s organized chaos.
The immense catalog of Bluesy riffs-turned-Rock were charged with Thorogood energy. A lightning bolt which can only be charged by a live audience. Unlike Place des Arts where the suits outnumbered the fans – the Trois Rivieres audience had a Jack Sparrow in every fifth seat. Thorogood ( the ultimate pirate) grabbed that vibe and slowly became younger as the night progressed. Raping and pillaging his guitar; Thorogood left no prisoners or witnesses as his black flag flew above the corporate mutineers.
One Bourbon (as usual) the defining moment. John Lee Hooker’s original masterpiece was performed at a bar. George – the drunken, dejected and unwanted character looking for rent. Searching for booze. Desperate for love.
A little tea and sympathy … ?
Throughout the night the chords were crisp. The three chords acute. The drummer dynamite. It was about the singer not the song as only George could conduct such an orchestra. Command attention and attend the commands from the Blues-gone-by.
The Destroyers and Thorogood. Links to the past along with the Stones, Buddy Guy, Taj Mahal and very few others. Survivors of the crossroads deal and makers of their own style within a Diddley beat.
The word legendary. Tossed around like a flea – bit peanut monkey sometimes.
In the case of Dr. Lonnie Smith – it is he who is tossing the primate around …
Commencing his career in the late fifties alongside George Benson – Smith used his knowledge as a multi-instrumentalist and student of Jazz, Blues, Gospel and R&B to rise to the top of the Jazz world as master of the Hammond B3 organ.
Dr. Lonnie Smith has been the most sought after player in the Jazz world for over four decades and at Le Gesu as part of The Jazz festival, the good doctor and his trio showed why.
Jonathan Kreisberg and Jonathan Blake are both powerhouses in their own right. Trading unique craftsmanship with each other with Smith holding back to let them shine. If not for Smith’s ‘ jolt you from the seats’ playing – Kresiberg and Blake almost legendary themselves. Blake especially on the drums, combining fierceness and finesse – power and purring to go with a genius’ work.
Some Jazz leaders are perfectionists by birth. Not allowing others to breathe within a song as their visions are superior to others in their own advanced minds. Dr. Lonnie Smith is a genius as he paints with his ‘paint box’ in front of him yet he allows his trio to paint with him. He is the teacher yet his lessons are by participation and not by dissociation. Guiding – yes. Ruling with a steel hand – indefinably no.
What some have done for their instruments ( Hendrix on guitar) in the public eye – Smith has done for the Hammond B3 organ in not only the Jazz world, the music world period.
They don’t give the NEC Jazz Award to just anyone after all.