In Montreal, it’s called ‘l’eau’ for your soul and that is exactly what Joss Stone provided at Metropolis on Sunday evening as the 36th Edition of The Montreal International Jazz Festival drew to a close.
What a way to go out …
Joss Stone, complete with a ‘Superheavy’ resume constituting of collaborations with the likes of Mick Jagger, Dave Stewart and Damian Marley, arrived in town as a precursor to the release of her upcoming 7th studio album; ‘Water for Your Soul.’
Stone bears all on stage. Not the ‘ mind in the gutter’ type baring, more like ‘shed-inhibitions-and-display-the-soul’ type undressing. Complete with shoe-less feet ( a Stone trademark), Joss neither attempts nor delivers any preconceived corporate shows. She is a hippy chick – through and through.
The song ‘Spoiled’ introduced Stone’s tremendous ‘live’ voice to a very receptive Montreal crowd. Singers such as Stone and her predecessors in the Soul / Rock / Blues category (women such as Aretha Frankin and Janis Joplin) are more times than not much better in person than their vinyl / digital representations. In other words – Memorex does not do Joss Stone justice.
Her arsenal on Sunday consisting of ‘L.O.V.E’ and ‘Baby Baby Baby’ are nothing new in the annals of popular music. The wheel has not been reinvented by Stone nor her band. In 2015 – it is difficult for any artist to truly come up with anything truly original especially in the style which Stone has etched herself. Voices are original. Vocal styles are not.
‘Super Duper Love’, from the 2004 album ‘Mind Body and Soul’ is the closest Stone has to an identifying tombstone in the graveyard of music. Catchy, bouncy with a body of soul – Super Duper is a song that comes around once -in-a-Brittany Spears. Take away Spears’ voice and add some depth – Joss Stone is front and center with a hit of her own minus the Illuminati drama.
At twenty-eight years young, Stone carries herself with extreme class combined with a touch of innocent flirtatious behavior. Why not? An entertainer utilizes whatever they must to get people to enjoy the show. In Stone’s case – her charm is much more inherited than acted. Some are born to be special and Stone compete with vocals, looks and character – is one of the ‘lucky’ ones.
One surprise last evening was Stone’s version of A White Stripes Song.
‘Fell in love with a Girl ‘ is the Stripes ‘ version and Stone (making a statement on her sexual preference perhaps), altered the lyrics to “Fell in Love with a Boy’. Either way, a perfect rendition of a well chosen song to display Joss’ versatility and her willingness to take risks.
A trio of songs which stood out like a giraffe in a herd of antelope represented different stages in Stones’ career. ‘You Had Me’ and ‘Right to be Wrong’ are part of the ‘here’s Josh Stone’ period while ‘ While You Are Out Looking for Sugar ‘ is the ‘ where’s Joss going next’ phase of her ( so far) 14 million album-selling career. All three representing brassiness, vocal perfection and a seasoned vocabulary.
A couple of songs from the ‘Water for the Soul’ album were strutted out while with the song “The Answer ‘ blending nicely from studio to live. Any songs from her work in the group Superheavy was sadly vacant. ‘Miracle Worker’ from Superheavy is another tombstone for Stone and it was a precursor for the upcoming Reggae-inspired ‘Water for Your Soul’.
Oh well, at least Stone is not as perfect as she sounds or looks …